Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into a lion's muzzle! With this ... See full summary »
Sam Clayton has a good heart and likes to help out people in need. In fact, he likes to help them out so much that he often finds himself broke and unable to help his own family buy the things they need--like a house.
Myron Breckinridge is waiting for her sex-change operation while a stoned surgeon stumbles into the operating room. Before the drugged doctor begins Myron's operation, he counsels her. ... See full summary »
Sam Gallagher (Pat O'Brien), a former foreign correspondent and now a United States Government agent, gets a job through his brother Jeff (Chester Morris), whom he has not seen in seven ... See full summary »
Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to get away from prizefighter Tiger Kid. Installed as the prize attraction of "The Sensation Club", ran by Ace Lamont, she quickly becomes the toast of the town and also marked as personal property by Ace, arousing the fury of Ace's former flame, Molly Brant. The not-overly-bright Tiger comes to town and is set for a title match with the champ by Ace, while the latter also has him steal some of Ruby's jewels. Ruby, no dumb-belle, figuring Ace has the fix in on the fight, uses some of her other jewels to lay a trap for Ace. Tiger confesses, after the fight, to Ruby his role in the jewel robbery while she hints that Ace was the one who slipped him the knock-out drops. Tiger goes after Ace, who, for his own reasons, has Molly locked in a closet. Written by
Les Adams <email@example.com>
According to David Niven, this film was to have been called "It Ain't No Sin" and, as a publicity stunt, 40 parrots were trained to repeat "it ain't no sin." Then the Hays Office made the studio change the title. See more »
The songs "Memphis Blues" and "St Louis Blues", sung by West in 1890s New Orleans, were written and published in the 1910s by W. C. Handy. See more »
Wardrobe lady to Ruby Carter:
You certainly know the way to a man's heart.
Ah, funny too, 'cause I can't cook.
See more »
Though I'd certainly heard of Mae West, I had never seen her in a film before, so this silly star vehicle was quite enjoyable to watch.
I was surprised to find an almost hermaphroditic persona here -- masculine in dusky voice and swagger but all-woman in her hour-glass figure draped in feathers, flounces, and sequins. With her slight overbite, West is an enchanting mix of wit and self-assurance.
She wrote this story that centers on a blues singer for whom men swoon. It's really just window dressing for West as she struts through her awe-struck social world.
The film is fun for the minor suspense it provides: What will Mae say next?
Sometimes it's a song, like "My Old Flame."
Then there are her little aphorisms:
"I'm in the habit of picking my own men..."
"It's better to be looked over than overlooked..."
"The man who hesitates...is late..."
I think I'd like to see more of this screen siren, though I'm not sure how MUCH. Does this sort of thing get old? I'm game to see...
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