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Beggars in Ermine (1934)

Passed  -  Drama  -  22 February 1934 (USA)
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John Dawson loses control of his factory when he is crippled in an accident caused by a rival. Destitute, he travels the country organizing the homeless to help him regain control of his ... See full summary »



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Title: Beggars in Ermine (1934)

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Complete credited cast:
John 'Flint' Dawson aka John Daniels
Joyce Dawson
Henry B. Walthall ...
Marchant the Blind Man (as Henry B. Walthal)
Jameson Thomas ...
James 'Jim' Marley (as Jamieson Thomas)
James Bush ...
Lee Marley, Jim's Son
Astrid Allwyn ...
Mrs. Vivian Dawson (as Astrid Allyn)
Joe Wilson (as George Hayes)
Stephen Gross ...
Scott Taggart, Joyce's Lawyer
Sam Godfrey ...
Enright, Marley's Lawyer
Myrtle Stedman ...


John Dawson loses control of his factory when he is crippled in an accident caused by a rival. Destitute, he travels the country organizing the homeless to help him regain control of his steel mill. Written by Arlene K. Witt <>

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He made a fortune out of misfortune! (original poster) See more »








Release Date:

22 February 1934 (USA)  »

Also Known As:

O Rei dos Mendigos  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Balsley & Phillips Recording System)

Aspect Ratio:

1.37 : 1
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User Reviews

Melodramatic & Rather Uneven Story of Retribution
1 June 2001 | by (Ohio) – See all my reviews

"Beggars in Ermine" is a very melodramatic and rather uneven story of retribution. There are some moments that are uplifting or at least interesting, but there are other times when it is excruciatingly implausible.

John "Flint" Dawson (Lionel Atwill) is a steel mill owner who believes in old-fashioned virtues. He cares about his employees, and has a plan to ensure a bright future for them and the mill. But one of his executives, James Marley (Jameson Thomas), has a different and sinister plan. In one quick series of events at the beginning of the film, Marley leaves Dawson's life in ruins and takes over the mill. For the rest of the movie, Dawson assumes a new identity as a beggar, and organizes his fellow beggars with the goal of eventually getting revenge on Marley. Much of what happens next has little believability, but there are some good moments.

Most of the cast is adequate, and besides the melodrama there are some good shots of the steel mill. There is a pretty good opening sequence that effectively establishes the feel of being in the mill as steel is being made. It does, however, lead the viewer to expect a serious drama, rather than the exaggerated story that follows.

While not believable enough to be effective as social commentary, this film might still have enough to be of interest to viewers who really enjoy good-versus-evil melodramas.

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