Mary Barrett is an aspiring Opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their ... See full summary »
There is a big charity function at the house of Mrs. Cheyney and a lot of society is present. With her rich husband, deceased, rich old Lord Elton and playboy Lord Arthur Dilling are both ... See full summary »
In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. ... See full summary »
Dowdy housewife Kitty dotes on her self-centered husband but divorces him when his mistress shows up at their home one day to break up their marriage. Bob had become bored with her ... See full summary »
Robert Z. Leonard
Rod La Rocque,
In 1845 London, the Barrett family is ruled with an iron fist by its stern widowed patriarch, Edward Moulton-Barrett. His nine grown children are afraid of him more than they love him. One of his rules is that none of his children are allowed to marry, which does not sit well with youngest daughter Henrietta as she loves and wants to marry Captain Surtees Cook. Of the nine, the one exception is his daughter Elizabeth, who abides faithfully to her father's wishes. Elizabeth does not think too much about the non-marriage rule as she has an unknown chronic illness which has kept her bedridden. She feels her life will not be a long one. With her time, she writes poetry, which she shares by correspondence with another young poet, Robert Browning. Elizabeth's outlook on her life changes when she meets Mr. Browning for the first time, he who has fallen in love with her without even having met her. She, in return, falls in love with him after their meeting. With Mr. Browning's love and ... Written by
'Irving G. Thalberg' reportedly sought Katharine Cornell, who had starred in the 1931 original production at the Empire Theater in New York, as well as the 1935 and 1945 revivals, to star in the film adaptation. Due to her intense loyalty to the theater, Katharine Cornell had regularly turned down all offers from Hollywood movie producers. However, Thalberg argued that Cornell "owed it to posterity to make movies...so that future generations of audiences to enjoy and for future actors and actresses to study," according to Tad Mosel's Cornell biography, Leading Lady. Cornell was briefly persuaded by Thalberg's persistence, most notably by his offer to "destroy the finished film completely, burn it and send it up in smoke, if she wasn't completely satisfied." Cornell briefly agreed to Thalberg's terms in private, however was still reluctant to make the transition to film and backed out of the verbal commitment. The closest thing to Katharine Cornell's movie debut would be a brief cameo in Stage Door Canteen in 1945. See more »
When the Barrett children are gathered around the piano listening to Elizabeth sing, one of the sons can be caught looking directly into the camera lens, and then trying to divert his look. See more »
I shall never in any way reproach you. You shall never know by deed or word or hint of mine how much you have grieved and wounded your father by refusing to do the little thing he asked.
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The beautiful Canadian actress Norma Shearer starred in this tense and unusual love story based on the true-life romance of Elizabeth Barrett and the poet Robert Browning. Charles Laughton's performance as her possessive and pathologically jealous father was one of the finest in his outstanding career. Although incest was the film's unspoken subtext, contemporary sensitivities prevented it from being spelt-out. That was not to deter Laughton who famously remarked that though they could prevent him from speaking of it, they could not censor the glint in his eye! An outstanding film.
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