| Photos (See all 11 | slideshow) |
| Shirley Temple | ... | Shirley | |
| James Dunn | ... | Eddie Ellison | |
| Claire Trevor | ... | Kay Ellison | |
| Alan Dinehart | ... | Welch | |
| Ray Walker | ... | Larry Scott | |
| Dorothy Libaire | ... | Jane | |
| Ralf Harolde | ... | Trigger Stone | |
| James Flavin | ... | Flannigan | |
| Richard Tucker | ... | Mr. Carson | |
| Olive Tell | ... | Mrs. Carson | |
| rest of cast listed alphabetically: | |||
| John Alexander | ... | Ragpicker (uncredited) | |
| Bud Geary | ... | Police Detective (uncredited) | |
| Mary Gordon | ... | Mrs. O'Brien (unconfirmed) (uncredited) | |
| Eddie Hart | ... | Detective Sergeant (uncredited) | |
| Howard C. Hickman | ... | Blair (uncredited) | |
| Samuel S. Hinds | ... | Warden (uncredited) | |
| Kenner G. Kemp | ... | Birthday Party Guest (uncredited) | |
| Tom London | ... | Extra on Train (uncredited) | |
| Paul McVey | ... | Daniels (uncredited) | |
| Lillian Stuart | ... | Anna (uncredited) | |
| Guy Usher | ... | Det. Capt. McLean (uncredited) | |
Directed by | |||
| Harry Lachman | |||
Writing credits | ||
| Philip Klein | (screen play) and | |
| Edward E. Paramore Jr. | (screen play) (as E.E. Paramore Jr.) | |
| James P. Judge | (based on a play by) | |
| William M. Conselman | contributing writer (uncredited) | |
| Henry Johnson | contributing writer (uncredited) | |
| John V.A. Weaver | original story (uncredited) | |
Produced by | |||
| John Stone | .... | producer | |
| Winfield R. Sheehan | .... | executive producer (uncredited) | |
Original Music by | |||
| David Buttolph | (uncredited) | ||
Cinematography by | |||
| L. William O'Connell | (photography) (as L.W. O'Connell) | ||
Film Editing by | |||
| Alfred DeGaetano | (film editor) (uncredited) | ||
Costume Design by | |||
| Royer | (gowns) | ||
Second Unit Director or Assistant Director | |||
| Bert E. Sebell | .... | assistant director (uncredited) | |
Art Department | |||
| Duncan Cramer | .... | settings | |
Sound Department | |||
| George Leverett | .... | sound | |
Stunts | |||
| Gordon Carveth | .... | stunts (uncredited) | |
| Chick Collins | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Arthur E. Arling | .... | camera operator (uncredited) | |
| Edward Collins | .... | assistant camera (uncredited) | |
| Milton Gold | .... | assistant camera (uncredited) | |
| Cliff Maupin | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
Music Department | |||
| Samuel Kaylin | .... | musical director | |
| Emil Gerstenberger | .... | orchestrator (uncredited) | |
Other crew | |||
| Sammy Lee | .... | dance direction | |
| Robert E. Goux | .... | business manager (uncredited) | |
| Marilyn Granas | .... | stand-in (uncredited) | |
| Gene Lewis | .... | dialogue director (uncredited) | |
| Garland Weaver | .... | stand-in (uncredited) | |
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| Les Misérables | Derailed | In Cold Blood | Dark Alibi | Larceny, Inc. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
If this is not considered one of Shirley Temple's more popular movies, it's easy to understand why.
First, she isn't the main attraction. James Dunn and Claire Trevor are the stars. This was Temple's first feature film but she was the third, fourth or even fifth person in here, screen time-wise. The powers-that-be must have seen the bright future she had, though, and made two more films with her in the same year (1934), beginning with "Bright Eyes," and she never looked back, becoming a huge box-office attraction on her own. This particular film featured a lot more drama and crime element and that was no longer to be, too, as light-hearted singing and dancing was the ticket...not this sort of fare.
"This sort of fare" meant a climactic scene in which Shirley is kidnapped, carried to a rooftop kicking and screaming for help while her father is pursuing and her mother is frantically looking on, screaming herself. Hey, that's not a "Shirley Temple film" as we know it.
That doesn't mean this movie is all dark or doesn't offer some typically-cute Temple moments: it does. There is a great song-and-dance number with Dunn, who was good singer in his own right, and a solo earlier in the film. However, the rest is drama about Dunn and his pal trying to go straight after a prison sentence and a few guys who don't want to see that or believe it. Overall, it's a fairly interesting movie, although very dated in spots, but it's not the kind of thing Temple fans are accustomed to seeing....so be forewarned, if you haven't seen this.