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Baby Take a Bow (1934)

 -  Comedy | Drama | Family  -  30 June 1934 (USA)
6.5
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Ratings: 6.5/10 from 497 users  
Reviews: 11 user | 3 critic

Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later, Eddie and his ex-convict buddy Larry, have both gone straight... See full summary »

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(screen play), (screen play), 4 more credits »
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Cast

Complete credited cast:
...
James Dunn ...
...
Kay Ellison
Alan Dinehart ...
Welch
Ray Walker ...
Larry Scott
Dorothy Libaire ...
Jane
Ralf Harolde ...
Trigger Stone
James Flavin ...
Flannigan
Richard Tucker ...
Mr. Carson
Olive Tell ...
Mrs. Carson
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Storyline

Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later, Eddie and his ex-convict buddy Larry, have both gone straight, and Eddie and Kay have a beautiful little girl named Shirley. However, Welch has kept a close eye on them for years. He believes in "once a criminal, always a criminal." Then, when Eddie's employer's wife's pearls go missing, it comes out that Eddie and Larry both spent time in prison, and they're fired. Welch suspects that Eddie and Larry have something to do with the theft of the pearls. Will Welch prove that Eddie and Larry had something to do with the theft, or will the truth prevail? Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Family

Motion Picture Rating (MPAA)

Rated PG for a frightening scene | See all certifications »
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Details

Country:

Language:

Release Date:

30 June 1934 (USA)  »

Also Known As:

Always Honest  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This movie takes its title from the song "Baby, Take a Bow," which James Dunn and Shirley Temple sang in their earlier movie, Stand Up and Cheer! (1934). See more »

Goofs

At the end scene, after Trigger has been caught, Eddie climbs over the low wall to join his family. A few moments later, he is back behind the wall again. See more »

Quotes

Warden: Eddie, when you were admitted here, I gave you a choice of two roads to take. You took the right one, and it got four months off your stretch for you. Now, will you let me advise you again?
Eddie Ellison: Certainly, sir.
Warden: Something kept up your morale while you were up here.
Eddie Ellison: You're a good guesser, Warden.
Warden: Well, whatever it was, stick to it outside. Have you got a job waiting for you?
Eddie Ellison: The biggest and best job a man ever had.
Warden: Good wages?
Eddie Ellison: Not a cent.
Warden: Well, but how - ?
Eddie Ellison: I've had a girl waiting for me for eighteen ...
[...]
See more »

Connections

Featured in The Biggest Little Star of the 30's (1976) See more »

Soundtracks

Pop Goes the Weasel
(uncredited)
Traditional
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Shirley helps ex-con Dad get a break
5 October 2005 | by (San Francisco, CA) – See all my reviews

Shirley Temple is wonderful. Beyond that, this is a movie that works on many levels for me. Claire Trevor brings an added dimension to the loyal wife and mother, and the ever-hard-luck-bitten James Dunn (A Tree Grows In Brooklyn) is perfect as the ex-con father trying desperately to put his past behind him. Alan Dinehart's slick and sycophantic private detective -- an embittered and opportunistic ex-cop -- does his best to pray on people's fears and keep Dunn with no recourse from the gutter. James Flavin, who later made a career playing Irish cops in the city, plays one here, albeit generally higher in rank and nobility than most of his later characters. Shirley only has two songs and one nice dance number with Dunn, but does more acting than musical work here, and is quite good at both. This is fine family entertainment amidst a backdrop of struggling to survive while the malicious and hypocritical try to keep others down. Certainly, although the movie was made in 1934, its themes are as resonant as ever.


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