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The Age of Innocence (1934)

6.3
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Ratings: 6.3/10 from 207 users  
Reviews: 7 user | 3 critic

An engaged attorney and a divorcee fall for each other in 1870s Manhattan.

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(screen play), (screen play), 2 more credits »
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Title: The Age of Innocence (1934)

The Age of Innocence (1934) on IMDb 6.3/10

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Cast

Complete credited cast:
...
John Boles ...
...
Helen Westley ...
Laura Hope Crews ...
Julie Haydon ...
Barry O'Moore ...
Mr. Welland (as Herbert Yost)
Theresa Maxwell Conover ...
Edith Van Cleve ...
Leonard Carey ...
The Butler
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Storyline

An engaged attorney and a divorcee fall for each other in 1870s Manhattan.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Approved
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Details

Country:

Language:

Release Date:

14 September 1934 (USA)  »

Also Known As:

A Época da Inocência  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(R C A Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The original play based on the novel by Edith Wharton and written by Margaret Ayer Barnes opened in New York on 27 November 1928. See more »

Quotes

[Applauding after a violinist's performance]
May Welland: Lovely, wasn't it, Granny?
Granny Manson Mingott: I couldn't hear much of it, but I like to see him make faces. I'm gonna sit closer the next time... so that I can see more of them.
See more »

Connections

Version of The Age of Innocence (1924) See more »

Soundtracks

None But the Lonely Heart
(1869) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
Played during the opening credits and often as background music
See more »

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User Reviews

 
Restrained Emotions
10 October 2005 | by (Forest Ranch, CA) – See all my reviews

A lawyer attempting to obtain a divorce for a countess finds his growing love resisted by THE AGE OF INNOCENCE in which they lived.

Edith Wharton's celebrated novel, illustrating how personal happiness is often crushed by public propriety, is given a fine adaptation in this well-produced film from Radio Pictures. While the movie relentlessly features almost nothing but dialogue, it is always sophisticated and deals with matters still of some importance.

In a movie with so much talk the performances are paramount and they are all of a high order. Lovely Irene Dunne is radiant as the American countess restricted by society from following her heart. John Boles is very effective as the lawyer who must also either bow to convention or be crushed by it. Feisty Helen Westley steals nearly every scene she's in as Dunne's wealthy and outspoken Granny. Laura Hope Crews is perfectly cast as Westley's slightly flustered daughter, the mother of Boles' pretty fiancée, Julie Haydon. Herbert Yost is Crews' meek little husband, while splendid Lionel Atwill enjoys himself as a rich rascal operating on society's fringe.

Movie mavens will recognize Harry Beresford as a canny museum guard and Inez Palange as a stubborn Italian maid, both uncredited.

The jazzy montage which opens the film has virtually no relationship to anything that follows and serves only to wake the audience up.


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