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The Age of Innocence (1934)

6.3
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Ratings: 6.3/10 from 207 users  
Reviews: 7 user | 3 critic

An engaged attorney and a divorcee fall for each other in 1870s Manhattan.

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(screen play), (screen play), 2 more credits »
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Title: The Age of Innocence (1934)

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Cast

Complete credited cast:
...
John Boles ...
...
Helen Westley ...
Laura Hope Crews ...
Julie Haydon ...
Barry O'Moore ...
Mr. Welland (as Herbert Yost)
Theresa Maxwell Conover ...
Edith Van Cleve ...
Leonard Carey ...
The Butler
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Storyline

An engaged attorney and a divorcee fall for each other in 1870s Manhattan.

Add Full Plot | Add Synopsis

Genres:

Drama | Romance

Certificate:

Approved
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Details

Country:

Language:

Release Date:

14 September 1934 (USA)  »

Also Known As:

A Época da Inocência  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(R C A Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Remade in 1993 with Michelle Pfeiffer as Ellen Olenska, Daniel Day-Lewis as Newland Archer, and Wi9nona Ryder as May Welland. See more »

Quotes

[Applauding after a violinist's performance]
May Welland: Lovely, wasn't it, Granny?
Granny Manson Mingott: I couldn't hear much of it, but I like to see him make faces. I'm gonna sit closer the next time... so that I can see more of them.
See more »

Connections

Version of The Age of Innocence (1924) See more »

Soundtracks

None But the Lonely Heart
(1869) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
Played during the opening credits and often as background music
See more »

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User Reviews

 
Technically well made but also very weak in certain key plot elements.
29 December 2007 | by (Bradenton, Florida) – See all my reviews

Technically speaking, this is a generally well made film. The acting (apart from some serious over-melodramatic acting from John Boles) was good and the entire production looked marvelous. So why, then, only a score of 5? Well, the story seems to try hard to make an excellent point--only to have it undone by plot holes that just don't make a lot of sense. Perhaps in the original Edith Wharton novel this is not the case, but here the film seems to be missing something.

The film begins with Boles ("Newland Archer") becoming engaged with his long time sweetheart, May. They seem like a happy couple and they are going into the upcoming marriage with not a care in the world other than wanting to marry sooner than later. At about the same time, May's cousin (Countess Ellen Olenska--played by Irene Dunne) is arriving from Europe and there is a great scandal because Mrs. Olenska is planning on divorcing her husband--something that polite society at the time would NEVER condone. It is interesting that we never see her husband nor do we really know much about their marriage other than the fact that she is unhappy and wants out--even though her family is strongly in favor of her remaining married. The family's wishes, oddly, are NOT because of a love for Olenska but because they were more concerned about how the scandal would ruin their good name! Many, in fact, were totally unconcerned about her soon to be ex-husband nor about adultery--just what others would think. This hypocrisy made for an excellent theme and I wish the film had really worked more on this angle.

Unfortunately, out of the blue, Archer suddenly announces to the Countess that he loves her!! Where this comes from makes no sense at all--especially since his bride to be is a sweet lady who has done no one wrong. Yet despite this profession, Archer still marries May and they go on their honeymoon. During this time, Archer is distant and quite frankly a major jerk--pining for the Countess and ignoring his poor wife. Frankly, any sympathy you had for the Countess and her divorce is quickly lost because she, too, is conspiring with Archer to run away together. So instead of an excellent story of hypocrisy, the story becomes a story of lust and selfishness--making the viewer really hate Boles and Dunne (especially Boles). All the great buildup of the last hour of the film is practically thrown away when this affair appears out of nowhere.

So what, at this point, is the point of the film? This ambiguity was a serious deficiency with the film. Had Archer never married May and then run off with the Countess, then you might have had a lot of sympathy for the couple. As is, they just seemed nasty and selfish. And the overall message seemed muddled. Were they trying to excuse away adultery or somehow trying to be pro-marriage? I really don't know. Had Archer acted rationally and consistently and less like a weasel, then this message would have been much more clear. As a result, it seriously deadens the impact of this film. It COULD have been much, much better.


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