Chris Morrell, the guardian of half-Indian girl Nina, is helping her find her missing white father. so she can cash in on her late mother's oil lease. Outlaw Sam Black is after the girl and...
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When John Mason's father is killed, John is wounded. Attracted to his nurse Alice, a conflict arises between him and his friend Ben who plans to marry Alice. John later finds the killer of ... See full summary »
Imprisoned for a murder he did not commit, John Brant escapes and ends up out west where, after giving the local lawmen the slip, he joins up with an outlaw gang. Brant finds out that '... See full summary »
Ted Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also rescues his long-lost brother Spud.
Robert N. Bradbury
Virginia Brown Faire,
George 'Gabby' Hayes
Bad guy Kincaid controls the local water supply and plans to do in the other ranchers. Government agent Saunders shows up undercover to do in Kincaid and win the heart of one of his victims Fay Denton.
Chris Morrell, the guardian of half-Indian girl Nina, is helping her find her missing white father. so she can cash in on her late mother's oil lease. Outlaw Sam Black is after the girl and her father as well. Besides dealing with the Black gang, Morrell has to find another robber, Jim Moore, who switches clothes with him after he finds Chris unconscious from a fight with Sam Black. Along the way, he meets a lady who's the sister of Jim Moore, another bad hombre who's in cahoots with Sam Black, and an old friend who takes in Nina and helps Chris locate Nina's father and fight off the various desperadoes. Written by
In the scene where Chris Morrell (John Wayne) has to leap from his horse onto a railroad handcart to capture Sam Black (Yakima Canutt), Canutt doubles for Wayne and Wayne doubles for Canutt. See more »
Some men are like books written in a strange language, and that makes it awfully hard to read them.
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This Lone Star Pictures feature from 1934 doesn't seem to hold up as well as many of John Wayne's other early pictures. The technical quality is a little less pristine, and the plot is a little less enjoyable. 'Neath Arizona Skies a little different from many westerns in that a child lies at the heart of this story. John Wayne is "Daddy Chris" Morrell to a little Indian girl named Nina; Nina's mother is dead, and no one knows where her white father is or if he is dead or alive. Thanks to the discovery of oil on Indian lands, little Nina is suddenly worth fifty thousand dollars; this fact does not go unnoticed by desperadoes such as Sam Black (Yakima Canutt) and his gang. Morrell manages to escape town with Nina, but he is forced to send her ahead in order to slow down Black and his gang. The place of safety he sends her to ends up putting her in even more danger, and Morrell's troubles only increase when another bad guy tries to frame him for robbery. There is a decent amount of action, but it is your basic shoot-out, fisticuffs, and horse chase scenario that plays out. There is nothing really wrong with 'Neath Arizona Skies, but it just fails to excite me the way some of The Duke's other early
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