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Zero for Conduct (1933)
"Zéro de conduite: Jeunes diables au collège" (original title)

 -  Short | Comedy | Drama  -  21 June 1947 (USA)
7.5
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Ratings: 7.5/10 from 4,103 users  
Reviews: 23 user | 39 critic

In a repressive boarding school with rigid rules of behavior, four boys decide to rebel against the direction on a celebration day.

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Title: Zero for Conduct (1933)

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Cast

Complete credited cast:
Jean Dasté ...
Surveillant Huguet
Robert le Flon ...
Surveillant Pète-Sec
Du Verron ...
Surveillant-Général Bec-de-Gaz (as du Verron)
Delphin ...
Principal du Collège
Léon Larive ...
Professeur (as Larive)
Madame Émile ...
Mère Haricot (as Mme. Emile)
Louis de Gonzague ...
Préfet (as Louis de Gonzague-Frick)
Raphaël Diligent ...
Pompier (as Rafa Diligent)
Louis Lefebvre ...
Caussat
Gilbert Pruchon ...
Colin
Constantin Goldstein-Kehler ...
Bruel (as Coco Golstein)
Gérard de Bédarieux ...
Tabard
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Storyline

After the holidays, Caussat and Bruel are going back to the boarding school, where their life is sad, dull, as all prisoner's ones. But there is plot setting up for a revolt... Written by Yepok

Plot Summary | Add Synopsis

Genres:

Short | Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 June 1947 (USA)  »

Also Known As:

Zero de Conduite  »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Banned by the French censor until well after World War II. See more »

Goofs

When the students tie the teacher to the bed, the position of his hands and the bed covers changes between shots as the bed is raised. See more »

Connections

References The Tramp (1915) See more »

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User Reviews

Disjointed but fascinating
17 August 2007 | by (www.moviemoviesite.com) – See all my reviews

Vigo's first (and penultimate) fiction feature is a precocious but messy work that serves notice of the huge talent he possesses while clearly showing that he is still a man learning his trade. The story as such tells of a revolt by schoolboys against their strict masters, but it wanders all over the place and appears either to have suffered at the hands of some inept editor's scissors, or to contain an abundance of nascent ideas that Vigo has chosen – or been forced – to put to screen before they were fully formed. It all makes for a fragmented and episodic structure that nevertheless somehow seems to add to the charm of the piece. Interspersed between these disjointed plot developments are some eerily surreal moments, such as when the midget headmaster straightens his tie in the mirror and his reflection moves away a second or two after him, which ensure that this film, while not the finished article, is never less than fascinating.


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