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The World Gone Mad (1933)

 -  Crime | Drama | Mystery  -  15 April 1933 (USA)
4.8
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Ratings: 4.8/10 from 256 users  
Reviews: 15 user | 4 critic

A district attorney and a reporter try to find the killer of a D.A. who uncovered a massive stock fraud.

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Title: The World Gone Mad (1933)

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Cast

Cast overview:
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...
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Mary Brian ...
Diane Cromwell
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Christopher Bruno (as Louis Calhearn)
J. Carrol Naish ...
Ramon Salvadore
Buster Phelps ...
Ralph Henderson
Richard Tucker ...
Graham Gaines
John St. Polis ...
Grover Cromwell
Geneva Mitchell ...
Evelyn Henderson
Wallis Clark ...
Dist. Atty. Avery Henderson
Huntley Gordon ...
Osborne
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Storyline

A district attorney and a reporter try to find the killer of a D.A. who uncovered a massive stock fraud.

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Unrated
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Details

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Release Date:

15 April 1933 (USA)  »

Also Known As:

Public Be Damned  »

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| (unrated)

Sound Mix:

| (RCA Photophone System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One scene takes place in from of a theatre where posters for The Vampire Bat are on display. "The Vampire Bat" was one of Majestic's biggest hits, and remains the most widely seen of its existing films. It had gone into release about three months before the release of this film. See more »

Connections

Referenced in Cinemassacre's Monster Madness: The Screaming Skull (2010) See more »

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User Reviews

 
Our Interest Comes And Goes
18 August 2006 | by (Manitoba, Canada) – See all my reviews

An obscure dramatic thriller that captures and loses the viewers interest like a seesaw. Pat O'Brien is a hard-nosed reporter who gets a little too close for comfort to the story of a lifetime, a massive corporate scandal. With a District Attorney already killed for knowing too much, O'Brien rightfully fears the new D.A (Neil Hamilton) also has a bullet with his name on it. Can our reporter hero piece it all together for the hapless law enforcement authorities before it's too late?

While there are many moments of interest in "The World Gone Mad," it seems there are almost as many pointless scenes with no purpose other than to ruin the flow. It's also overly complex at times. Still, even if one doesn't cut this one the slack it deserves for being made in 1933, it's not all that awful. The performances are good, particularly from O'Brien and Hamilton. But a little further editing would have helped. By the way, I nominate this one for the "Title That Bears Little Resemblance To The On screen Product" Award.


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