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When Ladies Meet (1933)

Passed  |   |  Comedy, Romance  |  23 June 1933 (USA)
6.8
Your rating:
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Ratings: 6.8/10 from 469 users  
Reviews: 14 user | 5 critic

Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »

Directors:

, (uncredited)

Writers:

(screen play), (screen play), 1 more credit »
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Title: When Ladies Meet (1933)

When Ladies Meet (1933) on IMDb 6.8/10

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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
Ann Harding ...
Clare
...
Jimmie
...
Mary
...
Bridget
...
Rogers
Martin Burton ...
Walter
Luis Alberni ...
Pierre
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Storyline

Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without telling Mary who she is. Written by Diana Hamilton <hamilton@gl.umbc.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

23 June 1933 (USA)  »

Also Known As:

Strange Skirts  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Rachel Crothers's play opened on Broadway in New York City, New York, USA on 6 October 1932 and closed 4 March 1933 after 173 performances. The opening night cast included Walter Abel as Jimmie, Spring Byington as Bridget, Frieda Inescort as Mary, Herbert Rawlinson as Rogers and Selena Royle as Clare. See more »

Goofs

In the garden at Bridget's home, Mary is next to a small statuette that holds a wreath and stands on a simple pedestal. In the next scene, the statuette's relationship to Mary has changed, the wreath is missing, and the pedestal more complex. In the third scene, the statuette has reverted to that in the first scene. See more »

Quotes

Jimmie: Good afternoon.
Mary Howard: I'm not speaking to you.
Jimmie: Good, then that'll give me a chance to say something.
See more »

Connections

Version of When Ladies Meet (1941) See more »

Soundtracks

I Love But Thee (Jeg elsker Dig!)
(1864) (uncredited)
Music by Edvard Grieg
Lyrics by Hans Christian Andersen
English Lyricist unknown
Sung in English by Myrna Loy and Ann Harding with Harding at piano
See more »

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User Reviews

 
I am not sure if this version is just better or I am just not the same person.
10 February 2013 | by (Bradenton, Florida) – See all my reviews

I saw and reviewed the 1941 remake of "When Ladies Meet" almost three years ago. I was a bit cold on the film--and thought it should have been much better considering the star-filled cast. However, when I saw the 1933 version today, I really appreciated it. This leads me to wonder--is the original version that much better or has my taste just changed over the last few years? I am not sure which--but I can highly recommend this earlier film.

The film is about adultery--a common topic during the Pre-Code era (up until mid 1934 when the new Production Code tightened the moral code within Hollywood's films). At first, it appears to actually endorse it or take a judgment neutral view--as Myrna Loy and Frank Morgan prepare to run off together even though Morgan is married. However, Loy's friend (Robert Montgomery) inexplicably loves her and wants to split the pair up because he feels this relationship is wrong. So, he connives to have Loy meet the wife (Ann Harding). What happens here is what makes the film so good--the women don't know who the other one actually is and they become friends. Only later do they discover the truth. I loved this final portion and I'd say more, but I don't want to ruin it. Suffice to say, it handles this moral quandary in a responsible and satisfying manner.

Aside from a few quibbles (such as why Montgomery wants Loy is she shows such selfish behaviors), I really enjoyed the film. Fine acting and a nice script make for an adult film that really is as good and hard-hitting today as it was back in 1933. Well worth seeing.


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