Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »
A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.
Jack La Rue
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A gambler comes into town to testify before the grand jury. He is killed by the mob before he can testify. Joe Geary (Kennedy) is fired from the police force for being soft on crime. This ... See full summary »
After graduation from Hampden University, Bill "Lightning" Graham, a football star, and Ann Carver, who just passed her bar exam, marry. Instead of pursuing a career in law, Ann takes on ... See full summary »
Lee is a fresh young kid from the South when he gets a job with The Press. His first assignment on gangsters gets his name in the paper, the police on a raid and Lee in the hospital. He ... See full summary »
John Francis Dillon
Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without telling Mary who she is. Written by
Diana Hamilton <email@example.com>
Remade in 1941 with Joan Crawford as Mary, Greer Garson as Claire, and Robert Taylor as Jimmy. See more »
In the garden at Bridget's home, Mary is next to a small statuette that holds a wreath and stands on a simple pedestal. In the next scene, the statuette's relationship to Mary has changed, the wreath is missing, and the pedestal more complex. In the third scene, the statuette has reverted to that in the first scene. See more »
I tell you this is an awfully hard age for a good woman to live in - I mean a woman who wants to have any fun. The old instincts of right and wrong merely hold you back. You're neither one thing nor the other. You're neither happy and bad, nor good and contented. You're just discontentedly decent.
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Excellent adaptation of Crothers' intelligent, witty play.
This is one of the most sophisticated scripts Hollywood ever produced. Adapted from Rachel Crothers' play, it was filmed twice and although the script is hardly varied from in either version, it is the original that has the bite, the edge. The glossy remake does have some excellent casting with Joan Crawford and Greer Garson as the rivals with Garson coming off best, but the original has more polish, more depth and has to its credit a superb performance by Ann Harding, who should have earned an Oscar nom for this outing. Ditto Alice Brady's supporting performance as the flighty society matron, Bridget, but the category wasn't invented in 1933. Along with this duo, the screenplay adaption deserved a third Oscar nom. The film had to make do with a single one - for Art Direction (oddly, so did the remake), which was deserved in both cases. The extremely stylish interiors of Connecticut country houses (thanks to Cedric Gibbons) charmed in both versions. The plot is an interesting quartet. Young man can't get to first base with girlfriend because she, a writer, is infatuated with her publisher. She is sure that his wife will give him up if she is able to state her case. Rather than put it to the test, she writes a novel about her real life plot. Her cast off boyfriend arranges for the wife and the author to meet, neither one aware that they share the same man. The dialogue is both witty and cogent, exploring the depths of both infatuation and marriage. Kudos though to Harding - one of our most unsung and finest actresses.
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