Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »
Racketeer Tony Gazotti is thankful that lawyer Jackson Durant helps him beat a murder rap, but Durant just does it for the thrill of it and refuses payment. Durant's defense of mobsters ... See full summary »
W.S. Van Dyke
Nellie Rimplegar has to tell her grown children that due to her bungled handling of their finances, the family has been wiped out by the Stock Market crash. Friend and family doctor, Alan ... See full summary »
William Powell plays William Foster, a slick attorney who stays within the law, but specializes in representing crooks and shady characters. He's adept at keeping them out of jail, winning ... See full summary »
Gangster Shoots Magiz is the producer of the show in which Mary is appearing. She marries him even though she can't stand a thing about him, knowing that in his business he may not be ... See full summary »
In this screwball comedy a WW2 US pilot bombs a Japanese aircraft carrier, is assumed to be dead, and then is misquoted in the press as fondly remembering his days back home walking his dog... See full summary »
Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without telling Mary who she is. Written by
Diana Hamilton <email@example.com>
In the garden at Bridget's home, Mary is next to a small statuette that holds a wreath and stands on a simple pedestal. In the next scene, the statuette's relationship to Mary has changed, the wreath is missing, and the pedestal more complex. In the third scene, the statuette has reverted to that in the first scene. See more »
I tell you this is an awfully hard age for a good woman to live in - I mean a woman who wants to have any fun. The old instincts of right and wrong merely hold you back. You're neither one thing nor the other. You're neither happy and bad, nor good and contented. You're just discontentedly decent.
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I am not sure if this version is just better or I am just not the same person.
I saw and reviewed the 1941 remake of "When Ladies Meet" almost three years ago. I was a bit cold on the film--and thought it should have been much better considering the star-filled cast. However, when I saw the 1933 version today, I really appreciated it. This leads me to wonder--is the original version that much better or has my taste just changed over the last few years? I am not sure which--but I can highly recommend this earlier film.
The film is about adultery--a common topic during the Pre-Code era (up until mid 1934 when the new Production Code tightened the moral code within Hollywood's films). At first, it appears to actually endorse it or take a judgment neutral view--as Myrna Loy and Frank Morgan prepare to run off together even though Morgan is married. However, Loy's friend (Robert Montgomery) inexplicably loves her and wants to split the pair up because he feels this relationship is wrong. So, he connives to have Loy meet the wife (Ann Harding). What happens here is what makes the film so good--the women don't know who the other one actually is and they become friends. Only later do they discover the truth. I loved this final portion and I'd say more, but I don't want to ruin it. Suffice to say, it handles this moral quandary in a responsible and satisfying manner.
Aside from a few quibbles (such as why Montgomery wants Loy is she shows such selfish behaviors), I really enjoyed the film. Fine acting and a nice script make for an adult film that really is as good and hard-hitting today as it was back in 1933. Well worth seeing.
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