The widow Wilson and her daughter Mary have just learned that old Mr. Middleton, who held the mortgage on their home, has passed away. They are now visited by Middleton's lawyer, Cribbs, ... See full summary »
Edward F. Cline
Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
The famous Baron Munchausen dumps two dimwits in the African jungle. A rescue team mistakes one of them for the missing Baron, and returns them to the US, where they're greeted as heroes. ... See full summary »
On leave in Italy, Lt. Tommy Knowlton falls in love with Jean Standish, who's not only married, but is the daughter of his submarine's commander. Friction between the two officers becomes ... See full summary »
Although he has never met her, Elmer Butts loves Hortense secretly and from afar. He dreams of making a million dollars so he can buy her a Rolls automobile and marry her. With prohibition apparently on the verge of ending, Elmer's friend Jimmy Potts gets an idea to make them both rich by opening a brewery just before the legalization of alcoholic beverages. Their timing is off, and the police raid them, but their inept brewing has created a beer with no alcohol, so they are let off. But it has also resulted in a cheaply made beer, and bootlegger Spike Moran realizes that he can vastly increase his profits by partnering with Elmer and Jimmy. But none of them reckons with the competitor, another bootlegger, gangster Butch Lorado. Butch has a girlfriend....Elmer's dream girl, Hortense. Written by
Jim Beaver <email@example.com>
Keaton followers know his decision to go to MGM was a disaster artistically and the smothering of his talent is apparent in this film. In some scenes he looks like he hasn't slept in days. Stick with it though, as with any chance to glimpse comic genius, you can spot the sparks. Durante, also a unique performer, and Keaton don't make a good team. Keaton was a cool presence, far more subtle and with much more depth of characterization than other comedians of the era. Durante was a hot performer, more verbal, but with a manic physicality. At times, you worry that he's actually hurting Keaton with his constant shoving, grabbing, poking and slapping. There is a rather sexy performance from Phyllis Barry as Keaton's amour and one wonders why she didn't go on to become, as they say. Everybody works very hard which usually kills farce, but there are moments of pure zaniness usually involving barrels, and some good lines satirizing the standard gangster picture. Anyone who loves these two men, as I do, should see this, if only in giggling tribute.
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