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Strauss' Great Waltz (1934)
"Waltzes from Vienna" (original title)

Approved  |   |  Biography, Music, Romance  |  7 April 1935 (USA)
6.1
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Ratings: 6.1/10 from 668 users  
Reviews: 13 user | 7 critic

The story of Johann Strauss the elder and younger.

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(based on: the great London Halhambra success by), (based on: the great London Halhambra success by), 5 more credits »
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Title: Strauss' Great Waltz (1934)

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Cast

Complete credited cast:
...
...
Fay Compton ...
Countess Helga von Stahl
...
Frank Vosper ...
Prince Gustav
Robert Hale ...
Ebezeder
Charles Heslop ...
Valet
Hindle Edgar ...
Leopold
Marcus Barron ...
Drexter
Betty Huntley-Wright ...
Lady's Maid (as Betty Huntley Wright)
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Storyline

Schani, Johan Strauss Jr., is forced by his father to forget music and to work in a bakery. Here he falls in love with Resi. The girl gets very jealous when a rich and beautiful contessa asks Schani to write a waltz for her. Schani writes and plays it, but he is always loyal to his girlfriend. Written by Claudio Sandrini <pulp99@geocities.com>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

7 April 1935 (USA)  »

Also Known As:

Strauss' Great Waltz  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(British Acoustic Film Full - Range Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Alfred Hitchcock said about this film " . . . naturally every cut in the film was worked out on script before shooting begins. But more than that, the musical cuts were worked out, too." In certain sequences the images were deliberately cut to conform to the rhythm of the music. Frequently, Hitchcock adds, music can supplement cutting, more especially in quiet scenes where its comment on mood and tone can sometimes be more subtle than the interplay of images which is so important in moments of violence: "Film music and cutting have a great deal in common. The purpose of both is to create tempo and mood of the scene. And, just as the ideal cutting is the kind you don't notice as cutting, so with music". See more »

Goofs

The first marriage of Johann Strauss Jr. was to the singer Henrietta Trefz, who was not a baker's daughter. See more »


Soundtracks

Waltz 'The Blue Danube' Op.314
Composed by Johann Strauß (as Johann Strauß Jr.)
See more »

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User Reviews

 
The Blue Danube Blues
14 September 2008 | by (Derby, UK) – See all my reviews

This is a fairly entertaining pre-War cheaply made British musical comedy which sadly fails in a number of ways: it was the 3rd film with Jessie Matthews and Edmund Gwenn, and definitely the least satisfying of them; it was Hitchcock directing a non-thriller with his heart not in it; Hitchcock and Matthews didn't get on, and it showed in his screen treatment of her - Britain's top singing and dancing star at the time; and a ridiculously fictitious plot. Hitch thought it was the worst film he'd ever made and Jessie thought it was "perfectly dreadful".

It was an adaptation of a London musical stage play which apparently ran for over a year: Johann Strauss II played by Esmond Knight wants to be a composer like his father, I (Gwenn), who is arrogantly dismissive of his talents throughout. I'm afraid I won't see Gwenn as Santa quite the same again. II eventually succeeds spectacularly with the help of Countess Fay Compton (was she ever anything but elderly and wistful?) and barmaid girlfriend Matthews - incidentally Robert Hale who played her father was her real-life father-in-law. Jessie was as usual good to look at (personally speaking) but unfortunately didn't really get to sing much, and Hitchcock was excellent as usual but didn't get to show off much. Most people will be disappointed with the latter, but for myself it was with the lack of Jessie's beautiful singing voice in what was after all billed as a musical, and with her name over the title. On the other hand, Hitchcock seemed to be mining the One Hour With You stylistic vein a lot of the time albeit in a cheaper but still pleasant British way, there were some nice sets and of course there was Louis Levy's orchestrations for The Blue Danube to admire when it arrived. The less said about how II was supposed to have composed it here, the better!

It's a pleasant enough 76 minutes for someone like me who isn't a Hitchcock completist, but probably will be a real chore if you are.


17 of 17 people found this review helpful.  Was this review helpful to you?

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