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Today We Live (1933)

 -  Drama | Romance | War  -  14 April 1933 (USA)
5.7
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Ratings: 5.7/10 from 668 users  
Reviews: 23 user | 9 critic

During WWI, two officers, one a pilot and the other in the navy, compete for the same beautiful young woman.

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(story), (screenplay), 4 more credits »
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Title: Today We Live (1933)

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Cast

Complete credited cast:
...
...
...
...
Ronnie
...
Louise Closser Hale ...
Applegate
Rollo Lloyd ...
Major
Hilda Vaughn ...
Eleanor
Rest of cast listed alphabetically:
Gene O'Brien
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Storyline

The two lovers are living together and are not married as they hesitantly explain to her brother. They had made a promise as children to get married when they grew up, but they "didn't wait." It's an important plot point as it drives Cooper's actions when he discovers that Crawford and Young are living in sin. Written by Brian Black

Plot Summary | Add Synopsis

Genres:

Drama | Romance | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

14 April 1933 (USA)  »

Also Known As:

A Vida É o Dia de Hoje  »

Box Office

Budget:

$659,710 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Variety reported in its review that director Howard Hawks used footage from the movie Hell's Angels (1930) for the big bomber expedition sequence, the main dogfight, and the head-on collision of two airplanes. See more »

Goofs

During the motor torpedo boat attack sequences, in close-up (studio) shots there are flags flying from the mast. In long shots, the flags are missing. See more »

Quotes

McGinnis: [Seeing German planes] Here they come! They look like mosquitos in September!
See more »

Connections

Features Hell's Angels (1930) See more »

Soundtracks

Marianne
(uncredited)
Music by Fred E. Ahlert
Lyrics by Roy Turk
See more »

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User Reviews

 
Talky melodrama of love triangle during World War I...
8 December 2006 | by (U.S.A.) – See all my reviews

Despite some very glossy MGM B&W photography, as shown in the good print of this film aired by TCM, and some attractive sets and very Adrian-created costumes for JOAN CRAWFORD, TODAY WE LIVE is a film as generic as its title. It's hard to distinguish from any other triangle romance except that the war background gives it added interest.

The script is a strange affair. It's hard to believe that JOAN CRAWFORD and GARY COOPER would openly declare their deep love for each other after exchanging a few glances across a cup of tea. In the very next scene they're hopelessly in love, with Crawford feeling guilt because she's the fiancé of ROBERT YOUNG.

Young's brother is the carefree FRANCHOT TONE (who walks off with the earlier scenes in the film), while ROBERT YOUNG gets his chance to do a fair share of emoting later in the film as his role expands. It's nice seeing these well-known actors at an early stage in their budding careers and still in their prime.

For GARY COOPER fans this is nothing special, but Crawford's admirers will find that she was at the height of her photogenic, sculptured beauty despite some odd dress designs by Adrian that don't suggest anything but the studio's line of glamor during the early '30s. She wears a boldly designed dress with a strange wing collar that has to be seen to be believed. It's hilarious! And that's just so she can pour tea with some dignity.

The actors all speak in clipped lines. "Good girl," says Franchot Tone on several occasions, trying to sound like Colonel Blimp, I suppose. And the others too adopt a strange way of clipping phrases so they sound more British. Very funny.

It goes into darker territory in the later war scenes and there director Howard Hawks seems more at home. But for a film in which the Joan Crawford character was added as a last minute script change, she certainly gets her fair share of footage and dominates the first forty-five minutes. But the love angle is certainly a strange one. She treats Cooper with rude indifference several times during their first meeting although his behavior is that of the perfect gentleman. Shortly thereafter, she confesses she's in love with him. That's the movies for you.


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