Reporter Peter Barter gets murdered while driving to his tv station. Commisioner Kras gets a phone call from clairvoyant Cornelius who saw Barters death in a vision. But a dark force ... See full summary »
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
An architect travels to the remote city of Eschnapur to oversee some work being done at the bequest of the local Maharajah. Along the way the architect meets and falls in love with a ... See full summary »
Harald Berger and his Indian lover, the temple dancer Seetha, desperately flee from the shikaris (cavalry) of Eschanapur's maharajah Chandra, who burn a whole village just for letting them ... See full summary »
When humanity, subjugated by the terror of crime, has been driven insane by fear and horror and when chaos has become supreme law, then the time will have come for the empire of crime.
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Fritz Lang's Das TESTAMENT des Dr.MABUSE is a mesmerising, master-crafted entertainment which no serious movie freak will have missed. The largely forgotten, parallel French version, filmed simultaneously with a French speaking cast, is like most of these foreign versions, a poor relation. I'm glad I saw the German one first
twice in a week as it happens.
Shorter than the German film, it truncates the lovers subplot and plays it with colourless juveniles, omits the giant eye make up shots of Klein Rogge, which re-call Dr. Baum's art collection and, worse, attempts to up the pace by chopping off the fade out scene transitions
giving correctly, the impression that there is something missing.
The German cast is uniformly superior, with the possible exception of the jolly, frankfurter-cooking henchman, who does manage to make an impression. Jim Gerald was a comedian - effectively so in CHAPEAU de PAILEE d'ITALIE and FRENCH WITHOUT TEARS - and he lacks the monolith menace that Wernike provides. Thommy Bordelle is normally an unimposing performer and, giving it his best shot, he's still no fair swap for the the great Oscar Beregei, in the one circulating film where we get to hear Beregei's voice. The French Dr. Kramm (who is he?), in particular, is out classed by Theodore Loos (the secretary from METROPOLIS among other stand-out performances).
Well it's still Lang's Mabuse film and remains intermittently effective
Hoffmeister's vision of Lohman's entry into his see through cell is
still a grabber - and it is another piece of the jig saw and another, if minor, Lang movie. So nice to get to see it after all these years.
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