A nightclub singer marries the rich owner of a rubber plantation. When she returns with him to his estate in Malaysia, she finds out that he is cruel, vicious and insanely jealous. She and ... See full summary »
Helen and Ken are a pretty strange couple. She is a pathological liar, and he is a scrupulously honest (and therefore unsuccessful) lawyer. Helen starts a new job, and when her employer is ... See full summary »
Young freewheeling wanderer Jerry Day and his beautiful wife Toni are at odds over their lifestyle. Jerry can't accept responsibility but Toni yearns for a family and a settled life. Then ... See full summary »
When the boyfriend of a rich, bored socialite dies from a weak heart, she finds herself attracted to the doctor who treated him, a hard-working idealist decidedly different from the usual spoiled society rich kids she is used to.
In New York city, Ruth Rogan is convicted of killing 3 of her lovers and sentenced to be executed. Meanwhile, lovely Roma Courtenay becomes a millionaire heiress when her brother dies. A spiritualist approaches Roma with an urgent message from her dead brother. He runs a rigged seance that doesn't convince Roma's boyfriend Grant but has Roma confused. Then unexpectedly, the executed Ruth Rogan's spirit takes control of Roma's body. Roma runs off with the fake spiritualist under Ruth Rogan's control. Grant desperately tries to track Roma down and return her soul. Written by
Gary Jackson <firstname.lastname@example.org>
Throughout the film, "Rogen" is pronounced like Rowjin with the accent on the first syllable. See more »
When Dr. Houston and the warden discuss the former's experiments in the warden's office, their positions relative to the warden's desk and the window change considerably even though the two are seated throughout. See more »
Dr. Carl Houston:
Well, it may sound crazy, but that there's the danger of contagion. No, dear, not from the body - that's harmless - but there's... there's something else.
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In time, many films are forgotten. Some are unjustifiably forgotten while others are justifiably forgotten. SUPERNATURAL is one of the latter. It's a valiant attempt at horror from the director of WHITE ZOMBIE but in the end, it just doesn't work. The cast in excellent. The sets are excellent. The cinematography is excellent. Some scenes are really effective but nothing gels together and the end product is more a collection of ideas strung together but with no idea of what to do with them. The worst part of the film is the ending. It's truly groan inducing, even for a film made in the 1930s.
The most amazing scene in SUPERNATURAL is the one at the prison, when the warden and psychologist have a discussion. Nothing interesting really occurs during this scene except during a brief moment during their conversation, we see prisoners walking in line in the yard outside the office window. The composition and imagery is quite startling. I've never seen anything like this.
But even with these flashes of brilliance here and there, SUPERNATURAL is simply not worth your time or attention.
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