The Story of Temple Drake (1933) - News Poster


Strike Me Pink

Neurotic coward Eddie Cantor decides to defend an amusement park against gangsters, and nothing but fun ensues! Ethel Merman has a small role here, but we're more than entertained by Parkyakarkus, Brian Donlevy, William Frawley, Jack Larue. Plus Sally Eilers, the Goldwyn Girls and a terrific forgotten talent, billed in this movie as Rita Rio. Strike Me Pink DVD-r The Warner Archive Collection 1936 / B&W / 1:37 flat Academy / 100 min. / Street Date August 4,, 2015 / available through the WBshop / 21.99 Starring Eddie Cantor, Ethel Merman, Sally Eilers, Parkyakarkus, Rita Rio (Dona Drake), Brian Donlevy, William Frawley, Jack Larue, Gordon Jones, Helen Lowell The Goldwyn Girls. Cinematography Merritt Gerstad, Gregg Toland Film Editor Sherman Todd Original Music (Alfred Newman) Dance Director Robert Alton Special Effects Gilbert Pratt, Ray Binger, Paul Eagler Written by Francis Martin, Frank Butler, Walter Deleon from the story and novel Dreamland by Clarence Buddington Kelland Produced by Samuel Goldwyn Directed by
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Forbidden Hollywood Volume 10

Woo hoo! The pre-Code marvels return for one last go-round -- tales of sin and moral turpitude but also serious pictures about social issues that the Production Code effectively swept from Hollywood screens -- financial crimes and ethnic bigotry. Forbidden Hollywood Volume 10 Guilty Hands, The Mouthpiece, Secrets of the French Police, The Match King, Ever in My Heart DVD-r The Warner Archive Collection 1932-1934 / B&W / 1:37 flat Academy / 63, 62, 78, 85, 70 min. / Street Date October 27, 2015 / available through the WBshop / 40.99 Starring Lionel Barrymore, Kay Francis, Madge Evans; Warren William, Sidney Fox, Aline McMahon; Frank Morgan, Gwili Andre, Gregory Ratoff Rochelle Hudson; Warren William, Lili Damita, Glenda Farrell, Claire Dodd; Barbara Stanwyck, Otto Kruger, Ralph Bellamy, Ruth Donnelly. Cinematography Merritt B. Gerstad, Barney McGill; Alfred Gilks; Robert Kurrie; Written by Bayard Veiller; Joseph Jackson, Earl Baldwin, Frank J. Collins; Samuel Ornitz, Robert Tasker; Houston Branch, Sidney Sutherland, Einar Thorvaldson; Bertram Millhauser, Beulah Marie Dix.
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Watch ‘Pre-Code’ Hollywood films on TCM all month

Tod Browning’s “Freaks

Before R-ratings, anti-heroes and gratuitous violence and nudity in mainstream Hollywood movies, there was the Hays Code. As a form of self-policing the industry, virtually every movie released up until 1968 needed that stamp of approval if it wanted distribution. And while it helped produce all of Old Hollywood’s true classics for several decades, it often included ridiculous rulings like not being able to show or flush a toilet on screen, not allowing married couples to be shown sleeping in the same bad or always making sure criminals, even protagonists of the movie, got punished in the end.

But before the Hays Code was nothing, and it was a gloriously weird, scandalous time for the movies. Certain Hollywood films in the early ’30s as “talkies” were rapidly taking hold have since been labeled “Pre-Code” films that never received Hollywood’s stamp of approval.

Every Friday in September,
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Pre-Code Classics Coming to TCM

Pre-Code Classics Coming to TCM
Hollywood got away with a hell of a lot before the Production Code, and Turner Classic Movies is offering a weekly taste of the bounty. Alec Baldwin and TCM's Robert Osborne will introduce 24 hours of pre-Code sex, drugs, profanity, nudity and bad behavior every Friday in September. TCM will highlight the freewheeling early careers of Barbara Stanwyck, Mae West, Jean Harlow, Warren William, James Cagney and more who starred in films where the bad guy sometimes won, and where the fallen heroine didn't need, or even want, to be saved. Classics on the docket include "Baby Face," "Footlight Parade," "Freaks," "Trouble in Paradise," "The Story of Temple Drake" and "Scarface" -- all wildly licentious for the time. Without censorship, during the 20s and early 30s sound boom, Hollywood did not sanitize sex, drug use, abortion, prostitution and extreme violence. Here's a look at the Code, which has some whacky do-nots.
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Pre-Code Hollywood: Gangsters, Monsters, and Dames

I must have been about 12 years old when I first saw Tarzan and His Mate. I loved the Tarzan movies. Tarzan was the undisputed King of the Jungle and was the greatest, Cheetah was man’s best friend, Boy was annoying, and Jane was the Queen of the Jungle and a young male’s introduction to the allure of the female. The uncensored version, with a naked Jane silhouetted while changing clothes in a backlit tent and the spectacular underwater ballet scene would have been a revelation to me; Tarzan and Jane are frolicking in their favorite swimming hole, Tarzan in his usual loincloth and Jane naked – not naked from the waste up, or presumed naked as they hid her behind some lake flora or rocks – Jane was naked.

Madam Satan

Most film fans knowledge of Pre-Code Hollywood movies doesn’t go much further than King Kong, Frankenstein, and a few other titles.
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Roger Avary Adapting Faulkner's "Sanctuary"

"The Rules of Attraction" writer/director Roger Avary is set to adapt William Faulkner‘s bleak 1931 novel “Sanctuary” for the big screen says Deadline.

The Southern-set tale centers on Temple Drake, an Alabama debutante who gets mixed up with various nefarious individuals including a ruthless moonshine racketeer, kidnappers, killers and bootleggers. Death and sex ensues.

John Langley (”Brooklyn’s Finest,” “Leaves Of Grass”) will produce. Miriam Hopkins starred in the previous film adaptation "The Story Of Temple Drake".
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Claudette Colbert, Miriam Hopkins, Gloria Swanson: Cinefest 2011

William Gargan, Miriam Hopkins, Jack La Rue in Stephen Roberts' The Story of Temple Drake Cinefest 2011, a four-day festival of rare American films, kicked off earlier today in Syracuse, NY. According to organizers, Cinefest features "great films … from the vaults of the world's greatest libraries and obscure specialties we are noted for from private collectors!" [Cinefest 2011 schedule.] Among the highlights at this year's Cinefest are the East Coast premiere of the Museum of Modern Art's restored print of the racy pre-Code Miriam Hopkins vehicle The Story of Temple Drake (1933), based on William Faulkner's Sanctuary; the Dolores Costello vehicle Glorious Betsy (1928), which earned Anthony Coldeway an Academy Award nomination for Best Adaptation; and Norman Taurog's The Phantom President (1932), a comedy musical starring Broadway legend George M. Cohan (James Cagney won an Oscar for playing him in Yankee Doodle Dandy), Claudette Colbert, and Jimmy Durante. Also, Joe May's [...]
See full article at Alt Film Guide »

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