A man known to be a mute is suspected of committing a murder, as he was noticed at the scene. However, witnesses saw and heard him talking as he was leaving the scene of the crime. The ... See full summary »
The relatives of a rich old woman unsuccessfully try to have her declared insane, so they can divide up her money. To show them that there are no hard feelings, she invites them to her ... See full summary »
Typical Monogram whodunit from the 30's, with dialogue and sound effects based on the well known mystery book with same title. A valuable gem from India is stolen in an old dark mansion and... See full summary »
Gustav von Seyffertitz
In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly ... See full summary »
A popular young student finds herself accused of a series of murders that have occurred on the college campus. Her boyfriend, a reporter for the local newspaper, knows she didn't do it, and and sets out to prove her innocence and catch the real killer.
J. Farrell MacDonald
A man known to be a mute is suspected of committing a murder, as he was noticed at the scene. However, witnesses saw and heard him talking as he was leaving the scene of the crime. The police must determine if he is the actual killer or if he is being framed. Written by
Philanthropist Jerome Breen walks out of a room and goes to an office building custodian and asks what time it is. He nonchalantly leaves while the other man goes to a nearby office and finds yet another stock broker choked to death by incredibly strong hands. All would seem to point to Breen as he was seen by an eye witness, but Mr. Breen is medically a mute. Such is the story behind The Sphinx. It is a craftily-made little thriller with some comedic touches against the backdrop of a rather ingenuous mystery. Lionel Atwill plays the ubiquitous Breen and the biggest regret...not flaw, but regret..is that he has so few lines in the picture. Atwill and his use of clever timing and sardonic wit are always a major plus to any picture, yet Atwill can and does employ his facial muscles to convey much. The other actors are all strangely pretty decent with the gentleman playing the custodian, an Italian that drinks a bit, turning in a fine comedic performance. The mystery in the end is not easy to guess, perhaps a bit contrived, but wholly enjoyable.
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