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J. Farrell MacDonald
A man is brought back from death at the same time a vicious criminal dies in the electric chair. However, the man's soul is now taken over by the electrocuted gangster, who embarks on a vengeful crime wave.
A man known to be a mute is suspected of committing a murder, as he was noticed at the scene. However, witnesses saw and heard him talking as he was leaving the scene of the crime. The police must determine if he is the actual killer or if he is being framed. Written by
Talky suspense quickie with an intrepid reporter (Newton) and his would-be girlfriend (Terry) investigating the murders of stockbrokers, both of whom become obsessed by the deaf mute (Atwill) accused of the murders.
Slow to warm, this pot-boiler gradually heats up thanks mainly to Atwill, painting the picture of a gracious man of wealth and culture who may or may not be a callous murderer. Atwill, still relatively early in his career before the scandal that would ultimately cast him asunder, is highly effective achieving more through his expressions than which most actors are capable of with unimpeded speech. The supporting cast includes Paul Fix in a bit part as a stockbroker, Paul Hurst as a detective who reluctantly assumes the role of police inspector with two weeks to solve the case.
The climax is unexpected and the clues are quite innovative, so while the pace might be a bit off, there's just enough to hold the interest for the 62 minutes give or take a couple of rather overlong melodramatic moments between Newton and Terry establishing their character's mutual affections, and that of Hurst, as he bumbles into the spotlight.
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