Stan and Ollie are charged with delivering the deed to a valuable gold mine to the daughter of a dead prospector. However they reckon without the machinations of her evil guardian Mickey ... See full summary »
Oliver is heartbroken when he finds that Georgette, the inkeeper's daughter he's fallen in love with, is already married to dashing Foreign Legion officer Francois. To forget her, he joins ... See full summary »
Unbeknownst to Stanley and Oliver, their long-lost twin brothers, sailors Alfie and Bert are in town on shore leave carrying a valuable pearl ring entrusted to them by their ship's captain.... See full summary »
The boys' Army buddy, Eddie Smith, is killed in the trenches in France, leaving his baby girl an orphan. Back home after Armistice, they try to find Eddie's father and turn the child over ... See full summary »
It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to... See full summary »
Stanley and Oliver are mousetrap salesmen hoping to strike it rich in Switzerland, but get swindled out of all their money by a cheesemaker. While working off their hotel debt, Oliver falls... See full summary »
Chimney sweeps Stanley and Oliver go about their job, reducing Professor Noodle's living room to a shambles in the process, while the mad doctor works in his laboratory perfecting his "... See full summary »
A band of Gypsies are camped outside the walls of Count Arnheim's palace. Oliver's wife kidnaps the Count's daughter Arline, then leaves the child and runs off with her lover, Devilshoof. ... See full summary »
So that he and Stan can sneak away to Chicago and attend the annual "Sons of the Desert" lodge convention, Ollie pretends to be sick, and gets a doctor (who turns out to be a veterinarian) to prescribe a long ocean voyage to Hawaii. Decked out in leis and strumming ukeleles, they return home only to learn that the ship supposedly carrying them has sunk. Their hastily- contrived tale of "ship-hiking" their way back cuts no ice with their wives, who've been at the movies watching a newsreel of the lodge's convention parade, starring... guess who? Written by
Paul Penna <email@example.com>
In the first wide shot in the ship docking area, before Laurel and Hardy's wives arrive, following news of the Honolulu ship sinking, a crew member and camera tripod are clearly visible reflected in a glass door. See more »
Never mind what she said. What did Betty say?
Honesty is the best politics.
See more »
Tramp! Tramp! Tramp! (The Boys Are Marching)
Music and Lyrics by George Frederick Root
Contained in "We Are the Sons of the Desert" Song
Reprised by the marching band in Chicago See more »
The boys go to a convention while wives think they're in Hawaii
I love this movie. I was reduced to tears the first time I saw it and am reduced to tears every time I've seen it in the 50 years since. Talk about a movie holding up over 70 years. To my mind, it's the Citizen Kane of comedy. Everything about it is pitch perfect. To watch the boys as they sink deeper and deeper into absurdity in explaining their arrival back ahead of the rescue ship is a marvel to watch. There are so many subtle, nonsensical and memorable moments that stay in the mind years later one almost doesn't know where to start. The solemn dark lighting of the opening scene spoofing fraternal organizations, eating the wax fruit, the range of facial expressions of the wives throughout, the shot of the boys from the back sitting facing the fireplace as Stan disses his wife, Stan's wife in hunting regalia returning shotgun in arm carrying ducks, Ollie flirting on the phone not realizing it's his wife he's talking to, the stream of consciousness dialog in the attic, and on and on and on. A subtlety perhaps missed by many is the wonderful song and dance number at the night club....a simply wonderful lampoon to perfection of crooner Dick Powell and spoof of Busby Berkeley with those clunky but charming Hula dancers, struggling in a valiant but ultimately hopeless attempt to dance, fanning out to the camera and culminating in that marvelous overhead shot near the close. Just great. I could write a book on this movie, but I'll just suggest to viewers to get William K. Everson's book on the films of Laurel & Hardy and read what one of the great critics has to say about this gem.
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