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The Song of Songs (1933)

 -  Drama | Romance  -  19 July 1933 (USA)
6.8
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Ratings: 6.8/10 from 316 users  
Reviews: 8 user | 13 critic

Country orphan Lily goes to Berlin to stay with her tippling aunt, and soon meets Richard, handsome sculptor across the street. Persuaded half-reluctantly to pose for Richard, her physical ... See full summary »

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(novel), (play), 3 more credits »
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Title: The Song of Songs (1933)

The Song of Songs (1933) on IMDb 6.8/10

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Cast

Complete credited cast:
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Alison Skipworth ...
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Helen Freeman ...
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Storyline

Country orphan Lily goes to Berlin to stay with her tippling aunt, and soon meets Richard, handsome sculptor across the street. Persuaded half-reluctantly to pose for Richard, her physical charms (shown as fully as 1933 mores permitted) soon melt away his 'strictly business' attitude, and they become lovers. But Richard, wanting his freedom, connives at her marriage to his wealthy client Baron von Merzbach... whose household includes a jealous former mistress and a susceptible farm manager. Has Richard still a role to play in her life? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

One of the world's great love stories comes to the star who can make it live

Genres:

Drama | Romance

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Details

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Release Date:

19 July 1933 (USA)  »

Also Known As:

Deep Night  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"You are my Song of Songs" by Ralph Rainger and Leo Robin was written for the movie but not used in the final release print. See more »

Quotes

Lily Czepanek: I can't take my clothes off!
Richard Waldow: Why? Why can't you?
Lily Czepanek: Why, I'd, I'd be undressed!
See more »

Connections

Referenced in Junjo no miyako (1933) See more »

Soundtracks

Symphony No.6 in F, Op.68 (The Pastoral)
(uncredited)
Music by Ludwig van Beethoven
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User Reviews

 
.... And Then He Kissed Her
1 July 2011 | by (Ramsey, NJ) – See all my reviews

This picture was a big reversal for Marlene Dietrich. Besides her first picture without Von Sternberg as director, it is the first one in which she goes from ingenue to demi-monde, instead of starting out as one. Here she is cast as a country girl who comes to the big city and befriends a sculptor of nudes (Aherne). She becomes his model, until he kisses her. Then the scales fall from their eyes and she becomes his lover. It is an extremely effective scene.

Matters evolve (or devolve) as a Prussian Colonel (Lionel Atwill) also takes an interest in his model. Atwill, who normally plays diabolical and unsavory types, has one of his best roles as a lecherous soldier and plays it to the hilt. It is a riveting portrayal and commands your attention whenever he is on screen. Alison Skipworth, one of Hollywood's best character actresses, plays her dipso aunt in what is her best role since "Outward Bound".

The storyline is not the thing here but it is fascinating to watch a master like Mamoulian at work and to watch Dietrich play against type, as well as watching the aforementioned Atwill in a performance that is sublime. Those are the surprises, not the plot - it's been done many times before and since.


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