King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
In Africa, the girl Jill Young trades a baby gorilla with two natives and raises the animal. Twelve years later, the talkative and persuasive promoter Max O'Hara organizes a safari to ... See full summary »
When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
Divorced Ethnologist John Parker loves his two boys, Al and Terry, and misses them terribly when they have to leave his archaeological dig at the end of the summer. While Al goes to ... See full summary »
After the disastrous results of his last expedition, Carl Denham leaves New York aboard a ship to escape all the trouble. After a mutiny, he and a few companions are left behind on Skull island, where they meet a smaller relative of King Kong and make friends with him. Written by
Michael Zolk <email@example.com>
Because they knew little about the stop-action process employed by Willis O'Brien on "King Kong," producers Cooper and Schoedsack more or less left the animator alone. However on "Son of Kong" they became involved, a situation that angered O'Brien. Rather than argue, O'Brien would seldom show up for work at the studio, and Buzz Gibson had to finish the animation without him. He asked Cooper to remove his name from the credits, but the producer refused. See more »
When Little Kong fights the Nothosaurus in the cavern following the discovery of the treasure they are both reflected in the glass used in the process shot superimposed on Denham and the girl in the background. See more »
[sees Denham and Englehorn sitting in a Dakang bar]
Carl Denham! Don't you remember me? Nils Helstrom.
Why, for the love of Mike. Helstrom! Sure I remember you!
Oh, this is Captain Englehorn. Captain Helstrom.
[Englehorn and Helstrom shake hands]
Say, do you know who this is? The man who gave me the map of Kong's Island. And he wants to know if I remember him?
Have a drink.
[...] See more »
The cast credits in the opening titles identify the character played by Helen Mack as "Hilda", but nowhere in the story itself is she given a name other than her stage billing of "La Belle Helene". See more »
Very entertaining sequel that shouldn't be compared to its predecessor. It stands alone as its own somewhat satirical and lighthearted adventure tale.
A great little film (about 65-70 minutes) that's every bit as entertaining, though not quite as dramatic as "King Kong". This film has it all. The early part of the movie gives a gritty and realistic depiction of the squalid little fever ports of the South Seas where an old tramp steamer would have gone searching for cargoes in the early part of the 20th century. The atmosphere, down and out characters, and their pathetic circumstances are straight out of a Joseph Conrad novel. It should be noted that Merian C. Cooper, who produced both this film and its precursor, was a former World War I aviator who became a real life "Carl Denham", producing a number of high adventure and "cannibal and jungle" documentaries (often a loosely applied term) that were popular with movie audiences of the times.
After what amounts to a Marxist mutiny (led by a mate known as "Red") the principal players eventually reach "Kong" island in the boat in which they were cast adrift. There they meet up with Kong Jr., a sweet, playful giant gorilla who's still no slouch when it comes to fighting other monsters to protect his human friends. The movie becomes a bit too cutesy towards the end and almost seems to be rushing to a conclusion. I usually find that movies are overly long, but this one could have used more development of its denouement.
I won't spoil the ending but I will say that this is one of the few movies that ever made me cry. Nothing morbid or truly depressing though. A fine family film and truly unique in many respects.
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