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In Africa, the girl Jill Young trades a baby gorilla with two natives and raises the animal. Twelve years later, the talkative and persuasive promoter Max O'Hara organizes a safari to ... See full summary »
A film crew goes to a tropical island for an exotic location shoot and discovers a colossal giant gorilla who takes a shine to their female blonde star. Then he's captured and brought back to New York City for public exhibition.
Kong falls from the twin towers and he appears to be alive. However, his heart is failing, so it's replaced with an artificial one. All is well until he senses that there's a female Kong somewhere out there and escapes wreaking havoc.
King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
After the disastrous results of his last expedition, Carl Denham leaves New York aboard a ship to escape all the trouble. After a mutiny, he and a few companions are left behind on Skull island, where they meet a smaller relative of King Kong and make friends with him. Written by
Michael Zolk <email@example.com>
Merian C. Cooper's enthusiasm for this movie was curtailed when he was told he had less than half the budget of King Kong (1933) to work with, and he had to have it in theaters within six months, for Christmas 1933 release. See more »
When Little Kong fights the Nothosaurus in the cavern following the discovery of the treasure they are both reflected in the glass used in the process shot superimposed on Denham and the girl in the background. See more »
Son of Kong certainly is NOT in the same class as its predecessor King Kong. It lacks that film's inventiveness, creativity, dark mood, and overall horror, yet it is a fine film in its own right. Where King Kong was horrific, Son is charming. It never really takes itself quite as serious as Carl Denham and the captain from the first film leave New York for fear of lawsuits. They end up back on Skull Island with a cute stowaway(played convincingly by Helen Mack), the ship's cook(Victor Wong) and an unscrupulous captain. The better part of the film is the interaction with Robert Armstrong(as Denham again) and Mack with the pint-sized(in comparison to his daddy) Kong. Again we are given natives(briefly) and prehistoric creatures. Baby Kong is adorable and shows how he and his father were thinking creatures as opposed to the mechanical killing of giant reptiles. A nice little film!
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