In Africa, the girl Jill Young trades a baby gorilla with two natives and raises the animal. Twelve years later, the talkative and persuasive promoter Max O'Hara organizes a safari to ... See full summary »
King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
When the Maharaja is ousted by an intruder, his wife and two sons, Badal and Jingu, flee. Badal gets separated while Jingu and his mother survive in near destitute conditions. Years later, ... See full summary »
After the disastrous results of his last expedition, Carl Denham leaves New York aboard a ship to escape all the trouble. After a mutiny, he and a few companions are left behind on Skull island, where they meet a smaller relative of King Kong and make friends with him. Written by
Michael Zolk <email@example.com>
Merian C. Cooper's enthusiasm for this movie was curtailed when he was told he had less than half the budget of King Kong (1933) to work with, and he had to have it in theaters within six months, for Christmas 1933 release. See more »
When Little Kong fights the Nothosaurus in the cavern following the discovery of the treasure they are both reflected in the glass used in the process shot superimposed on Denham and the girl in the background. See more »
Oh, and I'm going to make you First Mate.
Is that so? Do you think we got rid of a good captain for a bad one?
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The cast credits in the opening titles identify the character played by Helen Mack as "Hilda", but nowhere in the story itself is she given a name other than her stage billing of "La Belle Helene". See more »
Kong's small son stars in a small movie. Its greatest assets are its amusing effects sequences designed by the legendary Willis O'Brien and the vibrant playing of its female star, Helen Mack, who admirably succeeds Fay Wray in the series. Only the wooden Armstrong has returned from the Kong Sr. cast (as far as I know).
This one aims more for laughs than thrills, correctly assuming that audiences fully exposed (already) to Kong's menace could only be affected in a diminished degree if they had tried to follow similar lines in the sequel. Thus, it is more similar to the director's (and O'Brien's) later collaboration with John Ford, "The Mighty Joe Young", but it's not as charming or fun as "Young".
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