The Mesquiteers capture a horse thief who escapes justice through a crooked judge. They gather signatures urging the governor to investigate but a friend with the petition is murdered. Stony is accused.
The US Army's defense of its Philippines colony and the allied Malay countries/colonies behind it counted on its island fortress of Corregidor on Luzon -and a few others- but loses it in ... See full summary »
Foreign agents are smuggling monium (a chemical used in producing poison gas) into Mexico. The three Mesquiteers get involved when they ride to save a girl (really a government agent) on a runaway horse.
In 1871, professional gambler John Devlin elopes with Sandra "Sandy" Poli, daughter of Marko Poli, an immigrant who has risen to railroad tycoon. Sandy, knowing that the railroad is to be ... See full summary »
John Drury saves Duke, a wild horse accused of murder, and trains him. When he discovers that the real murderer, a bad guy known as The Hawk, is the town's leading citizen, Drury arrested on a fraudulent charge.
Construction workers in World War II in the Pacific are needed to build military sites, but the work is dangerous and they doubt the ability of the Navy to protect them. After a series of ... See full summary »
U.S. Army Captain John Delmont takes a leave of absence to find out what happened to his missing father. Later he leads a wagon train to California and goes after the bad guys involved in his father's disappearance.
Joseph W. Girard
Framed for a stagecoach accident, John Bishop is jailed. Bob Leady helps break him out and in return John heads for Sonoora to look for Leady's missing son. He finds him when he joins Monte black's gang, a gang from which no member has ever escaped alive. Written by
Maurice VanAuken <email@example.com>
Using the name "Monte Black" as the villain was something of an in-joke at Warners, where Monte Blue was a star during the silent era. After sound came in, he was relegated to minor supporting roles at the studio, albeit in some very good films like Casablanca (1942) and Key Largo (1948). See more »
[Talking about his missing son]
A man was killed. Some of the men who were present seemed to think Bart was the guilty party. They found out later that he was innocent, but... Bart's gone.
Hung? Where is he? What happened?
I'm not sure, but I heard he was south - somewhere in Sonora, a bandit in the gang of Monte Black.
Once a man joins that gang, he never comes out alive. It's known as the Brotherhood of Death.
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It's in these early films that you see how middle-class John Wayne really is before he assumed the immortal identity of the American cowboy. He was obviously socialised into high society through his university connections and has a healthy interest in women. Thanks to John Ford he was just churning out the B-pictures one after the other. However, as a self-contained project, the film looks quite stagy as though it was fresh from the theatre. The dialogue is stilted and clumsy, but then that's down to the writing. I don't think that screenwriters and directors got to grips with the new medium that is cinema at this point, making this offering painful to watch.
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