Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
This revue presents its numbers around the orchestra leader Paul Whiteman, besides that it shows in it's final number that the European popular music are the roots of American popular music... See full summary »
Bill McCaffery, a plumber, wins big at the racetrack but then his luck runs out and almost ruins his business. Molly Gilbert, his manicurist girlfriend, stands by him and helps him readjust to life as a plumber.
A gang of bad guys menace a feller's gal. She hides in a freight car and a misstep sends the otherwise-empty train out of the station with the lever pushed to full speed. As the train gains... See full summary »
Virginia Lee Corbin,
Charles Hill Mailes
A producer decides to reopen a theater, that had been closed five years previously when one of the actors was murdered during a performance, by staging a production of the same play with ... See full summary »
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
A strong candidate for restoration, this little musical contains more than a few virtues, something that can't be said about many of the more celebrated efforts of the genre. The songs are pleasant (I Wanna Meander With Miranda), cleverly staged (Good Morning Glory), humbly touching (You're Such A Comfort To Me), and the movie even climaxes with a spectacular production number (Did You Ever See A Dream Walking?) which is the only pseudo-Berkeley number I know that manages to out-Berkeley Berkeley himself. There are nice supporting turns from Thelma Todd, Gregory Ratoff and Lew Cody, a couple of scenes are laughing-out-loud-funny (our ambitious songwriters in the offices of agent Ratoff and producer Cody for two sly instances), what more could you want from a cheap little programmer?
Our stars, Jack Oakie and Jack Haley, play two young songwriters who go to Hollywood to seek fame and fortune, Oakie the aggressive smart aleck while Haley plays the sympathetic sap. The female lead is Ginger Rogers, not a particularly big part (it probably couldn't be as she was simultaneously filming FLYING DOWN TO RIO at the time, traveling back and forth to her respective studios by bicycle) but she does well in it as she did well in pretty much everything during these years. The final 'Dream' production number was the first time that Ginger ever received the full-scale glamor treatment in a film. It balanced her introduction, a decidedly non-glamorous kick in the pants.
SITTING PRETTY is a nice surprise, delivering fine entertainment from a source in which you wouldn't have expected very much.
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