Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her ... See full summary »
Artist Jimmy Hudson (Cary Grant) is stuck in Mexico unable to pay his hotel bill. Meanwhile, Louise Fuller (Grace Moore) opera singer is stuck in the same town unable to return to the US ... See full summary »
New York singer and nightclub owner Lady Lou has more men friends than you can imagine, unfortunately one of them is a vicious criminal who's escaped and is on the way to see "his" girl, not realizing she hasn't exactly been faithful in his absence. Help is at hand in the form of young Captain Cummings, a local temperance league leader, though. Written by
Col Needham <email@example.com>
"Diamond Lil", the play on which this was based, originally opened Apr. 9, 1928 at the Royale Theatre and ran for 176 performances. It was revived 3 times between 1949 and 1951, each time starring Mae West. See more »
The opera singer has a rolled up piece of paper which he holds against his leg, but in the next cut, when he is seen from behind, his hands are then in front of him. See more »
Set mostly in a bawdy saloon/dance hall in NYC during the 1890s, this film is a showcase for the talents of Mae West. She plays Lady Lou, a self-confident, sassy singer with a quick wit, who entertains customers with songs that have a Blues theme and were popular in vaudeville.
In this role, buxom Mae West is at her best. She struts her stuff, she wears tons of diamonds, she smiles in a slightly mischievous way, she rolls her eyes, and she speaks in a voice that is more than a little nasal. Her costumes are glamorous and flamboyant. In short, she presents an on-screen image that is wonderfully ... unique.
The film's story is thin and largely irrelevant. It involves the people around Lady Lou, some of whom are schemers and cheats. Implicit sexual references in the dialogue, and the character of Lady Lou, led the "National Legion of Decency" to push down our throats the Production Code, a wretched policy device that censored cinematic content for some thirty years thereafter.
If I have a complaint with this film it is that the story is too serious. Mae West is placed in scenes that allow her merely to recite dialogue. She is less an actress than a singer and on-stage performer. I would have preferred a more lighthearted musical theme, to play up her musical talents.
And so for me, the best parts of this film are the musical numbers few though they may be. Mae West sings "Frankie And Johnny" and a couple of other songs. One of my favorite sequences occurs about midway through the film. In what appears to be an authentically designed music hall set, an Irish tenor with a big mustache sings "Silver Threads Among The Gold", a musical tearjerker popular with barbershop quartets of that era. The song's sad theme prompts a man in the audience literally to "cry in his beer". Gas lights point upward to the stage. And behind the singing tenor, a curtain sways back and forth, with product signs that read "Old Whiskey", "Dijon Burgundy", among others. It's a sequence that is straight out of vaudeville. Marvelous!
"She Done Him Wrong" is a film whose story almost gets in the way of the main character, played by a legendary talent. The film is worth watching more than once, but only to see marvelous Mae West, and to listen to those wonderful songs from the bygone days of vaudeville.
8 of 8 people found this review helpful.
Was this review helpful to you?