| Photos (See all 31 | slideshow) | Videos (see all 5) |
| John Wayne | ... | John Brant | |
| Nancy Shubert | ... | Sally Blake | |
| Lane Chandler | ... | Joseph Conlon (alias Bob Jones) | |
| Yakima Canutt | ... | Ed Walsh | |
| Henry Hall | ... | Dad Blake | |
| Hal Taliaferro | ... | Deputy Sheriff (as Wally Wales) | |
| Art Mix | ... | Henchman | |
| Bob Burns | ... | Sheriff Parker | |
| rest of cast listed alphabetically: | |||
| Ted Adams | ... | Taggart (uncredited) | |
| Silver Tip Baker | ... | Townsman (uncredited) | |
| Hank Bell | ... | Henchman (uncredited) | |
| William Dyer | ... | Blind Pete (uncredited) | |
| Wally Howe | ... | Store Customer (uncredited) | |
| Julie Kingdon | ... | Town Girl (uncredited) | |
| Tex Palmer | ... | Posse Rider (uncredited) | |
| Tex Phelps | ... | Henchman (uncredited) | |
| Hal Price | ... | Bud - Train Engineer (uncredited) | |
| Archie Ricks | ... | Stage Driver (uncredited) | |
| Robert Walker | ... | Henchman (uncredited) | |
| Blackjack Ward | ... | Henchman (uncredited) | |
| Slim Whitaker | ... | Henchman Dick (uncredited) | |
Directed by | |||
| Armand Schaefer | |||
Writing credits | ||
| Lindsley Parsons | (story) | |
| Will Beale | story (uncredited) | |
| Lindsley Parsons | screenplay (uncredited) | |
Produced by | |||
| Trem Carr | .... | executive producer (uncredited) | |
| Paul Malvern | .... | producer (uncredited) | |
Cinematography by | |||
| Archie Stout | (photography) | ||
Film Editing by | |||
| Carl Pierson | (edited by) | ||
Sound Department | |||
| John Stransky Jr. | .... | recordist (as John A. Stransky Jr.) | |
Stunts | |||
| Yakima Canutt | .... | stunt double: John Wayne (uncredited) | |
| Jack Jones | .... | stunts (uncredited) | |
| Eddie Parker | .... | stunts (uncredited) | |
Other crew | |||
| E.R. Hickson | .... | technical director | |
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| The James Brothers of Missouri | The Phantom Rider | Custer's Last Stand | Don Daredevil Rides Again | The Man from Utah |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Many of these 30s low budget westerns start with the "hero wrongly accused of a crime" premise, finally discovering, catching up with and gunning down the real killer; but this one is clearly not only the best 'Lone Star' western, but is, in fact, an enjoyable, well made film, with themes, photography, locations, and stunt work you won't find in hundreds of other 'oaters.'
You'll find at least four different versions out, from the discount b/w (the VINA and who knows how many other $2.00 single film DVD copies; the Platinum "Great American Western" Volume 35 version -- which at least has three other westerns on one DVD) to the new colorized versions, including the excellent digitally restored 23-minute Sterling version with a new, modernized soundtrack -- which just zooms by). There's a reason for all this -- it's a landmark film!
Basically, the theme is not far from the mythic: the good guy (John Wayne) befriends the man who put him in prison (Lane Chandler with equal screen time), and helps him redeem himself. You get underwater photography of John Wayne escaping the sheriff; the zoom in shot of the Sheriff beside the wanted posters of Conlon and Brant, fading into a shot of them facing each other; the extensive location shots of Bronson Canyon and the Bronson 'Cave,' which has been seen in dozens of serial, western, horror and SF films (including the 1956 'Invasion of the Body Snatchers') that show all three entrances, as well as how to get up to the Canyon; the unbelievable stunt work by Yakima Canutt, including leaping up on a hitching post and over a horse to land on another horse, flying and running horse mounts; and the great acting of John Wayne -- I'm not kidding! Kudos to the director and screen writer!
A great introduction to, and high watermark of, 1930s westerns!