Imprisoned for a murder he did not commit, John Brant escapes and ends up out west where, after giving the local lawmen the slip, he joins up with an outlaw gang. Brant finds out that '... See full summary »
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Robert N. Bradbury
Frank McGlynn Jr.
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Imprisoned for a murder he did not commit, John Brant escapes and ends up out west where, after giving the local lawmen the slip, he joins up with an outlaw gang. Brant finds out that 'Jones', one of the outlaws he has become friends with, committed the murder that Brant was sent up for, but has no knowledge that anyone was ever put in jail for his crime. Willing to forgive and forget, Brant doesn't realize that 'Jones' has not only fallen for the same pretty shopgirl Brant has, but begins to suspect that Brant is not truly an outlaw. Written by
Doug Sederberg <firstname.lastname@example.org>
While the store proprietor reads a note written by John Brant, there is a sudden brief cut for no apparent purpose to the exact shot of Brant and Conlon riding into town which was used a few moments earlier, before their visit to the store. See more »
[after eluding the sheriff by swimming underwater, John emerges on the far side of the lake at the feet of a tall gunslinger]
Well, I guess you got me.
Come on out, stranger. I ain't the law. You're a pretty smart hombre and you got plenty of nerve. It strikes me that the boss could use somebody like you. What's your name?
[John glares at him]
Smith, ain't it. That's the handle most of you fast travelers use. Aw, it's as good a name as any. Mine's Jones!
[they shake hands]
Say, you're ...
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Wayne to Sally, "May I have some of your rutabagas, please."
Great stunt when Wayne, concealed in a camouflaged niche in the road, grabs onto the axle as the buckboard passes over him. Looks like a Canutt engineered trick and looks also like it's Wayne and not a double that executes it. Then too, the wheel spacing has to be perfect otherwise it's road-kill for a young superstarhe really earned his money in those early days.
The movie belongs to Lane Chandler almost as much as Wayne. Together, they're a youthfully exciting team, but my guess is that they were too much alike to stay partnered. So eventually, along comes old coot Gabby Hayes and the screen gets one of its really great all- time pairings.
Pretty good story from writer Lindsley Parsons, his first screen credit, who later became a prolific producer of B-films. Over time he scripted a number of Wayne oaters with plots generally more involved than most. This one involves Wayne infiltrating gang of robbers to clear himself of a murder charge. There're several nifty episodes-- Wayne hiding out underwater as a menacing boot almost steps on him, the script making him a cook (of all things) for the gang. Note too, the opening scene of Wayne dodging railway dicks after hobo-ing it into townI expect that resonated with 1933 audiences when half the country was riding the rails.
Some good hard riding and a spectacular crash. Too bad, however, that producer Malvern couldn't get the boys up to Lone Pine for that marvelous Sierra scenery. Instead they get to race around the scrublands of greater LA, not nearly as much fun. Note the frequent use of the Bronson Canyon cave for entrance to the gang's hideout. Despite appearances, it's only a few miles from downtown LA and the studios, and was thus a favorite for tight-budget productions, especially sci-fi from the 50's. Also in passingthis is Nancy Shubert's only screen credit, unusual for a leading lady. I wonder what her story was.
Anyhow, it's a fun trip down memory lane for us geezers and for those younger folks who appreciate action done by real people instead of blue screens and digital computers.
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