Bad guy Kincaid controls the local water supply and plans to do in the other ranchers. Government agent Saunders shows up undercover to do in Kincaid and win the heart of one of his victims Fay Denton.
Pecos Grant rides into a strange town only to find that everyone recognizes him, not as Pecos Grant, but as a presumed-dead man named Rawlins. Even Rawlins' wife thinks her husband has come back. Pecos sets out to solve the mystery.
John Middleton is investigating cattle rustling when he is captured and tossed into a cave with Emmett, a rancher who disappeared earlier. They help each other escape and learn that a local... See full summary »
Robert N. Bradbury
Frank McGlynn Jr.
George Washington McLintock, "GW" to friends and foes alike, is a cattle baron and the richest man in the territory. He anxiously awaits the return of his daughter Becky who has been away ... See full summary »
In 1889 pioneers race ahead of the law to claim free land in Oklahoma, forming wide-open towns. In one such, citizens elect Milt Dawson to challenge the self-appointed rule of gambler Ace ... See full summary »
Boston pharmacist Tom Craig comes to Sacramento, where he runs afoul of local political boss Britt Dawson, who exacts protection payment from the citizenry. Dawson frames Craig with ... See full summary »
Prizefighter Jimmy Dolan accidentally kills a man at a party and escapes. He hides out at a health farm for invalid children and begins to lose his cynicism under the influence of the ... See full summary »
Douglas Fairbanks Jr.,
Kincade controls the area's water supply and is about to force the ranchers into contracts at exorbitant rates. Government Agent Saunders has a plan that will open up the lost river and dry up Kincade's supply. So he gets the ranchers to insist on a clause that Kincade's land will revert to the public if he fails to deliver water. Written by
Maurice VanAuken <firstname.lastname@example.org>
The stagecoach drivers are robbed by Faye Denton in light-coloured clothing and hat. Yet later on they pursue Saunders as the hold-up man despite the facts that his clothing is all dark-coloured, he is taller and he is wearing a completely different hat. See more »
At the risk of sounding like a complete anorak, I have to confess to a deep affection for John Wayne's Lone Star westerns. Every one has a mighty fine title, usually nothing much to do with the story being told. They have that addictive quality that other people find in today's soap operas. In both types, the plots are familiar and preposterous, the characters are off-the-peg, the acting is poor, the heroines are pretty, and the leading man looks good (especially on a horse in J.W.'s case).
Of all J.W.'s Lone Star films, this one is my favourite. It has all the virtues listed above, maybe not as developed as in some of the later films, but there nevertheless. I particularly enjoy the way a character is introduced in the first reel, made to disappear for most of the film, and reintroduced at the end. The heroine is delightful in jodhpurs, and the bad guy simply looks dastardly in them. Then there are the pistols that seemingly are deadly at several hundred yards. And an important prop is what I take to be a genuine stagecoach.
But this film has notable extras: "interesting" singing, some truly exciting stunt work, and a remarkably lyrical climax that I don't think Robert N Banbury ever came close to emulating again. It's so good that you'd almost believe that Ingmar Bergman had seen this film and been inspired by it as he started on Virgin Spring.
Note to students of film: it's probably a bad idea to try that suggestion on your teacher!
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