Bad guy Kincaid controls the local water supply and plans to do in the other ranchers. Government agent Saunders shows up undercover to do in Kincaid and win the heart of one of his victims Fay Denton.
Imprisoned for a murder he did not commit, John Brant escapes and ends up out west where, after giving the local lawmen the slip, he joins up with an outlaw gang. Brant finds out that '... See full summary »
Ted Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also rescues his long-lost brother Spud.
Robert N. Bradbury
Virginia Brown Faire,
George 'Gabby' Hayes
Sheriff John Higgins quits and goes into prospecting after he thinks he has killed his best friend in shooting it out with robbers. He encounters his dead buddy's sister and helps her run ... See full summary »
Kincade controls the area's water supply and is about to force the ranchers into contracts at exorbitant rates. Government Agent Saunders has a plan that will open up the lost river and dry up Kincade's supply. So he gets the ranchers to insist on a clause that Kincade's land will revert to the public if he fails to deliver water. Written by
Maurice VanAuken <firstname.lastname@example.org>
The stagecoach drivers are robbed by Faye Denton in light-coloured clothing and hat. Yet later on they pursue Saunders as the hold-up man despite the facts that his clothing is all dark-coloured, he is taller and he is wearing a completely different hat. See more »
I recently purchased this film on a special triple bill DVD from an overly cheap discount store, in fact it was so cheap that the three movie disc cost me just one single pound of my hard earned British currency.
This film was both fantastic and atrocious in one. An exciting plot, but with laughable performances from the entire cast.
We know that all great actors have to start somewhere and the lone star westerns of the early thirties were what John 'The Duke' Wayne cut his teeth on.
To look at his work in his final film The Shootist in 1976, you can see just how much he had learnt over his 40 years in the business and what a great actor he did eventually become, but to look at his performances in these early days, you can understand why he spent most of the 1930's in relative obscurity.
Although Wayne looks uncomfortable throughout most of these films and his acting is wooden to say the least, it can't all be blamed on him.
These movies were the product of their day and cannot be judged by todays standards. Intended only as supporting features, these long forgotten studios turned out these 'B' movies by the shed load. Badly formed scripts with badly shaped characters must have poured though these fledgling studios like water through a hoop and with a stock company of actors who's style was still formed in the pantomime silent era, they were bound to be a bit cheesy. In fact if in 1933 there were Oscars awarded for the greatest achievement in over acting then this would be the motion picture with greatest ever hoard.
Wayne's character is a notorious gunman with a name that must have put the fear of God into whoever crossed his path, Singing Sandy Saunders.
Laugh? I damn near wet my pants.
And if that wasn't enough to give me the biggest gut wrencher of the century, then George 'Gabby' Hayes certainly iced the cake.
After an appalling song that sounded like two cats fighting over a piece of fish in a metal barrel, the great Gabby uttered the line, "Mmmm. I could listen to that all night." The line itself is worthy of side stitching surgery, but the look of peace and serenity on his face was just too much for the old chuckle muscles which then went on to explode.
I can honestly say that a truly inspired and well written comedy has never made me laugh as much as this film did.
However the story is a good one, with the corrupt businessman holding the town's ranchers to ransom over his monopoly in the water market with a view of buying up all the farms etc.
It survives today as nothing more than a nostalgic glimpse into the past, not only at a bygone era in cinema making, but as a chance to see a real Hollywood legend finding his feet. This alone makes it worth every penny of the thirty-three pence I in effect paid for it.
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