Bad guy Kincaid controls the local water supply and plans to do in the other ranchers. Government agent Saunders shows up undercover to do in Kincaid and win the heart of one of his victims Fay Denton.
When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. ... See full summary »
The Three Mesquiteers convince a group of settlers to exchange their present property for some which, unbeknownst to our good guys, is going to be worthless. They are captured before they can warn the ranchers.
Texas cattle baron Stiles killed John Clayborn's parents ten years earlier. Now a lawyer, Clayborn tries legally to break up Stiles' water monopoly and rustling operation. When that fails he must use force.
In 1889 pioneers race ahead of the law to claim free land in Oklahoma, forming wide-open towns. In one such, citizens elect Milt Dawson to challenge the self-appointed rule of gambler Ace ... See full summary »
Bijou, a saloon singer with a reputation for inciting brouhahas, is one of several deportees from a south Pacific island to arrive at another U.S. protectorate, Boni Komba. She becomes very... See full summary »
Prizefighter Jimmy Dolan accidentally kills a man at a party and escapes. He hides out at a health farm for invalid children and begins to lose his cynicism under the influence of the ... See full summary »
Douglas Fairbanks Jr.,
Johnny Hanson wants to make enough money to enlarge his chicken farm. He does this through hockey. Gangsters get involved in trying to get him to throw a championship game, even lining up a woman to help steer him their way.
Kincade controls the area's water supply and is about to force the ranchers into contracts at exorbitant rates. Government Agent Saunders has a plan that will open up the lost river and dry up Kincade's supply. So he gets the ranchers to insist on a clause that Kincade's land will revert to the public if he fails to deliver water. Written by
Maurice VanAuken <firstname.lastname@example.org>
At 50 minutes, as Singin'Sandy chases the evil Kincaid, a modern power line/telephone pole, double poled high tension line, and even a radio tower can be clearly seen in the background. The power pole is to modern to even try to pass itself off as a telegraph pole, as does the one which can be seen by the side of the road behind Sandy as he gallops past. See more »
At the risk of sounding like a complete anorak, I have to confess to a deep affection for John Wayne's Lone Star westerns. Every one has a mighty fine title, usually nothing much to do with the story being told. They have that addictive quality that other people find in today's soap operas. In both types, the plots are familiar and preposterous, the characters are off-the-peg, the acting is poor, the heroines are pretty, and the leading man looks good (especially on a horse in J.W.'s case).
Of all J.W.'s Lone Star films, this one is my favourite. It has all the virtues listed above, maybe not as developed as in some of the later films, but there nevertheless. I particularly enjoy the way a character is introduced in the first reel, made to disappear for most of the film, and reintroduced at the end. The heroine is delightful in jodhpurs, and the bad guy simply looks dastardly in them. Then there are the pistols that seemingly are deadly at several hundred yards. And an important prop is what I take to be a genuine stagecoach.
But this film has notable extras: "interesting" singing, some truly exciting stunt work, and a remarkably lyrical climax that I don't think Robert N Banbury ever came close to emulating again. It's so good that you'd almost believe that Ingmar Bergman had seen this film and been inspired by it as he started on Virgin Spring.
Note to students of film: it's probably a bad idea to try that suggestion on your teacher!
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