While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back ... See full summary »
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Queen Christina of Sweden is a dominant European ruler in the 17th century, and has never thought of romance. However, she accidentally and secretly falls in love with an emissary from Spain, even though a marriage between the two seems out of the question. Written by
Since John Gilbert was falling out of favor with the majors as a leading man, Greta Garbo was doing him a big favor by requesting him as the male lead. Unfortunately, the film did not help to re-establish Gilbert, and soon after he dropped out of pictures altogether. See more »
In the famous final shot, the wind blowing Garbo's hair is moving in the opposite direction from the wind that is powering the ship's sails. This was no doubt deliberate, as to have done it correctly would have meant her hair would be blowing across her face. See more »
There are rumors that your Majesty is planning a foreign marriage.
They are baseless.
But your Majesty, you cannot die an old maid.
I have no intention to, Chancellor. I shall die a bachelor!
See more »
One of silent cinema's greatest pairings, Greta Garbo and John Gilbert starred together one last time in Queen Christina. Gilbert's career was in tatters by 1933 after a string on failures, and Laurence Olivier had already bailed from the role, but Garbo insisted on Gilbert. And he is wonderful as the Spanish envoy. He looks great and gives a sly performance with plenty of wit. This is also one of Garbo's best talkies. Together they light up the screen. This film also boasts some of the most gorgeous close ups of Garbo you've ever seen. Solid historical drama of Swedish queen who abdicates for love. Good supporting cast includes Lewis Stone, Reginald Owen, Akim Tamiroff, Ian Keith as the slimy Magnus, C. Aubrey Smith, Elizabeth Young, and David Torrence. Beautiful film with solid performances and, dare I say, very feminist in its view. Gilbert's performance in this film and Downstairs (1932) should have put him back on top. What a shame. Norma Desmond was right when she said, "They took the idols and they smashed them. The The Gilberts, the Fairbankses, the Valentinos."
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