Sir William Hamilton, a widower of mature years, is British ambassador to the Court of Naples. Emma who comes for a visit with her mother wouldn't cut the grade with London society but she ... See full summary »
In the inspired Olivier concept, Shakespeare's play begins as a performance in the Globe Theatre, shifting in broad cinematic terms to an epic narrative of Henry V, who had developed from a... See full summary »
Queen Christina of Sweden is a dominant European ruler in the 17th century, and has never thought of romance. However, she accidentally and secretly falls in love with an emissary from Spain, even though a marriage between the two seems out of the question. Written by
Lawrence Grant is in studio records/casting call lists as a cast member, but he did not appear or was not identifiable in the movie. C. Henry Gordon was announced as a cast member, and Edward Cooper was listed as a cast member in a contemporary Hollywood Reporter news item, but neither appeared to be in the film. However, recognition of actors was difficult because of period makeup. See more »
When being crowned, the Chancellor is to the right of the throne, then is further away, then step up to the young queen twice. See more »
I sometimes think that films should be ranked rather like golfers, with a seniors' section for the over 50s. It is often difficult for the inherent quality of a film to shine through the grainy black and white, crackly sound, stagey sets and ludicrous back-projections. One test of a classic film is: if you went and saw it at your local multiplex tonight, would you enjoy it. Maybe Casablanca, Double Indemnity, The Maltese Falcon...and, surprisingly, Queen Christina looking as modern and sexy today as when it was made in 1933. The main thing that makes it stand out from the crowd is its literate and thoughtful screenplay. The subject matter is new to most people who, like myself, have only the sketchiest of knowledge about 17th century Swedish history. Garbo is magnificent as an intelligent, liberated queen. She spends most of the film in men's clothes and thigh-length boots. I'm always rather incredulous of the Shakespearean convention where the heroine only has to put on a pair of trousers and everyone assumes she is a boy. Queen Christina delightfully pokes fun at this convention. Garbo, dressed as a boy, finds that she has to share the last room at the inn with John Gilbert, the Spanish envoy. In a scene that radiates sexiness, Garbo only has to take off her jacket for Gilbert to realise that she is all woman.
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