Queen Christina of Sweden is a popular monarch who is loyal to her country. However, when she falls in love with a Spanish envoy, she must choose between the throne and the man she loves.
The married Anna Karenina falls in love with Count Vronsky despite her husband's refusal to grant a divorce, and both must contend with the social repercussions.
Director:
Clarence Brown
Stars:
Greta Garbo,
Fredric March,
Freddie Bartholomew
While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back ... See full summary »
Director:
George Cukor
Stars:
Greta Garbo,
Melvyn Douglas,
Constance Bennett
Young Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love so Armstrong tells him the story of ... See full summary »
A Parisian tailor finds himself posing as a baron in order to collect a sizeable bill from an aristocrat, only to fall in love with an aloof young princess.
Director:
Rouben Mamoulian
Stars:
Maurice Chevalier,
Jeanette MacDonald,
Charles Ruggles
Queen Christina of Sweden is a dominant European ruler in the 17th century, and has never thought of romance. However, she accidentally and secretly falls in love with an emissary from Spain, even though a marriage between the two seems out of the question. Written by
Ed Lorusso
Since John Gilbert was falling out of favor with the majors as a leading man, Greta Garbo was doing him a big favor by requesting him as the male lead. Unfortunately, the film did not help to re-establish Gilbert, and soon after he dropped out of pictures altogether. See more »
Goofs
Christina is depicted as loved by her people. The real Christina, however, was, by the end of her reign, unpopular due to her arbitrary and wasteful ways, and having her royal historian and his son executed for accusing her of serious misbehavior and being a Jezebel. See more »
I'm in the middle of "Wednesday Night is Greta Garbo Night" on TCM, and I am as happy as the proverbial pig. A whole month of Garbo -- 27 films! 1927-1941!!! Needless to say, I rushed right off to Target to stock up on blank videocassettes! I'm the King of the World! The dream of a lifetime fulfilled!
"Queen Christina" is merely one of Garbo's greatest performances, but it's second to none. She imbues the role of the conflicted Swedish monarch with majesty and vulnerability, and also embodies the clarity, determination, assurance, and style of a great ruler. This Christina is no silly Mary Queen of Scots, thoughtlessly throwing everything away for love, and sowing the seeds of her own destruction. Garbo's queen sacrifices power for a man, true, but only because she understands that she can't have both and must have love, that Sweden will still flourish without her, and that to fulfill her deepest needs as a human being she must accept the inevitable cost. She is a lover of the arts, a reader of great books, curious about the entire world and thirsty to drink at the well of experience. She is a bohemian, and there's little satisfaction for her in wielding great power while being denied the opportunity to live fully.
Whether this is an accurate portayal of the historical person is really beside the point. "Queen Christina" is an MGM costume spectacular with MGM's biggest star. And Lord, is she gorgeous!
Watching John Gilbert as Antonio makes me wonder why he didn't last for long in talking pictures. His hairstyle here makes him look a bit goofy, but he's a handsome guy and his speaking voice is perfectly adequate. He doesn't come close to Garbo in charisma -- who does? He handles the role quite well, and the mutual affection of the pair is palpable.
At least one poster has questioned whether the implied homoeroticism of several scenes in this film really exists -- the kiss between the queen and her lady-in-waiting, the "No Chancellor...I shall die a bachelor" line, the reaction of Antonio's servant about him staying in bed all day with "the other gentleman." S/he is wrong -- it's definitely there. But I think Ruben Mamoulian was just having a little fun with Christina's "masculine" eccentricity to add some spice to the story. She was hailed as a "king" at her coronation, and a king she endeavored to be.
Some viewers might find "Queen Christina" dated. It's terribly romantic in the style of the 1930s, and if you can't buy into that you might have problems. Also, there's the characteristic cliche of all the old MGM period films dealing with royalty -- the ceremonial entrance of nobles into the court, accompanied by fanfares and stately music. I counted four of those in this movie -- oh, well, it goes with the genre.
And that final scene? It really is unforgettable!
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I'm in the middle of "Wednesday Night is Greta Garbo Night" on TCM, and I am as happy as the proverbial pig. A whole month of Garbo -- 27 films! 1927-1941!!! Needless to say, I rushed right off to Target to stock up on blank videocassettes! I'm the King of the World! The dream of a lifetime fulfilled!
"Queen Christina" is merely one of Garbo's greatest performances, but it's second to none. She imbues the role of the conflicted Swedish monarch with majesty and vulnerability, and also embodies the clarity, determination, assurance, and style of a great ruler. This Christina is no silly Mary Queen of Scots, thoughtlessly throwing everything away for love, and sowing the seeds of her own destruction. Garbo's queen sacrifices power for a man, true, but only because she understands that she can't have both and must have love, that Sweden will still flourish without her, and that to fulfill her deepest needs as a human being she must accept the inevitable cost. She is a lover of the arts, a reader of great books, curious about the entire world and thirsty to drink at the well of experience. She is a bohemian, and there's little satisfaction for her in wielding great power while being denied the opportunity to live fully.
Whether this is an accurate portayal of the historical person is really beside the point. "Queen Christina" is an MGM costume spectacular with MGM's biggest star. And Lord, is she gorgeous!
Watching John Gilbert as Antonio makes me wonder why he didn't last for long in talking pictures. His hairstyle here makes him look a bit goofy, but he's a handsome guy and his speaking voice is perfectly adequate. He doesn't come close to Garbo in charisma -- who does? He handles the role quite well, and the mutual affection of the pair is palpable.
At least one poster has questioned whether the implied homoeroticism of several scenes in this film really exists -- the kiss between the queen and her lady-in-waiting, the "No Chancellor...I shall die a bachelor" line, the reaction of Antonio's servant about him staying in bed all day with "the other gentleman." S/he is wrong -- it's definitely there. But I think Ruben Mamoulian was just having a little fun with Christina's "masculine" eccentricity to add some spice to the story. She was hailed as a "king" at her coronation, and a king she endeavored to be.
Some viewers might find "Queen Christina" dated. It's terribly romantic in the style of the 1930s, and if you can't buy into that you might have problems. Also, there's the characteristic cliche of all the old MGM period films dealing with royalty -- the ceremonial entrance of nobles into the court, accompanied by fanfares and stately music. I counted four of those in this movie -- oh, well, it goes with the genre.
And that final scene? It really is unforgettable!