6.4/10
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30 user 7 critic

The Prizefighter and the Lady (1933)

Passed | | Comedy, Crime, Romance | 10 November 1933 (USA)
An ex-sailor turned boxer finds romance and gets a shot at the heavyweight title.

Directors:

, (uncredited)

Writers:

(screen play), (screen play) | 1 more credit »
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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
...
Belle Mercer Morgan
...
Primo Carnera ...
Primo Carnera
...
Jack Dempsey - Promoter
...
Professor Edwin J. Bennett
...
Willie Ryan
...
Bugsie
...
Adopted Son
...
Linda
...
Show Girl
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Storyline

Steve is just a heavy duty bartender when Edwin J. Bennett, known as the Professor, starts training him for the ring. While doing road work, he is almost killed by a speeding car which crashes into a ditch. In the car is Belle Mercer and her driver. Steve takes Belle to a farmhouse and is smitten by her, but she is Willie Ryan's Girl. The fight is a breeze and later, Steve again meets Belle with Willie. That night, Steve and Belle disappear and return married, much to the disappointment of Ryan. Then Steve starts training in ernest and is 19 for 19 in the ring. However, he has an eye for the women and an expanding ego to match. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

Girls! There's a new passion in your life! See more »

Genres:

Comedy | Crime | Romance | Sport

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

10 November 1933 (USA)  »

Also Known As:

The Sailor and the Lady  »

Box Office

Budget:

$682,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Primo Carnera was the world's heavyweight boxing champion when this film was made and released. He refused to make the movie using the first script, which had him knocked out in the end, but agreed to a revised script with an additional $10,000 salary. See more »

Goofs

Steve buttons up his sweater, straightens the bottom and puts his hands in his pockets in one shot with the Professor. In the next shot, when he's facing Belle, he buttons the bottom buttons again (before putting his hands in his pockets again). See more »

Quotes

Willie Ryan: Are ya on the junk?
See more »

Connections

Referenced in The Doris Day Show: The Prizefighter and the Lady (1970) See more »

Soundtracks

Knee Deep in Rhythm
(uncredited)
Written by Al Goodhart and Gus Kahn
See more »

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User Reviews

Better than the clumsy title would suggest
19 July 2003 | by (elgin, illinois) – See all my reviews

In earlier viewer comments I notice that Max Baer is referred to both as a "lunk" and as a dominating presence. He had every opportunity, since he appears in a majority of the scenes. The script called on him to demonstrate incredibly diverse talents, even as he was surrounded by such seasoned performers as Myrna Loy, Walter Huston and Otto Kruger, all of whom give excellent performances. We see him in semi-comic scenes as a braggart strong man; in love scenes with Myrna Loy in which something seems really to be going on between them, and in flirtations or affairs with other women; in a ten-minute "dance" number embodying fighter training techniques with a line of chorus girls; and finally in an only slightly abridged championship fight with the then heavyweight champ Primo Carnera, anticipating their actual battle a year later. It's amazing that a screen neophyte with no drama training actually brings these off credibly; I agree with the dominating presence comment. If you look at his subsequent filmography, it's clear that he never had another significant opportunity; perhaps it was necessary for a film to be built around him as this one was. As I watched this film last night the thought came to me that he was born fifty years too soon; he could have been successful in the kind of roles recently played by Stallone and Schwarzenegger, neither of whom, in my opinion, has the range for which Baer showed the potential.


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