Racketeer Tony Gazotti is thankful that lawyer Jackson Durant helps him beat a murder rap, but Durant just does it for the thrill of it and refuses payment. Durant's defense of mobsters ... See full summary »
W.S. Van Dyke
Dorothy Hunter is an heiress of untold wealth. She believes no one will love her for herself and not for her money, so she pretends to be her secretary Sylvia while Sylvia pretends to be ... See full summary »
Polio breaks out in Rio de Janeiro, the serum is in Santiago and there's only one way to get the medicine where it's desperately needed: flown in by daring pilots who risk the treacherous weather and forbidding peaks of the Andes.
Steve is just a heavy duty bartender when Edwin J. Bennett, known as the Professor, starts training him for the ring. While doing road work, he is almost killed by a speeding car which crashes into a ditch. In the car is Belle Mercer and her driver. Steve takes Belle to a farmhouse and is smitten by her, but she is Willie Ryan's Girl. The fight is a breeze and later, Steve again meets Belle with Willie. That night, Steve and Belle disappear and return married, much to the disappointment of Ryan. Then Steve starts training in ernest and is 19 for 19 in the ring. However, he has an eye for the women and an expanding ego to match. Written by
Tony Fontana <email@example.com>
Jack Dempsey plays himself in the improbable capacity of a referee in the climactic fight. While giving the fighters instructions, he places unusual emphasis on the rule that requires the standing fighter to go to a neutral corner in the event of a knockdown. This undoubtedly is an allusion to the famed Long Count. In a 1927 title match, Dempsey knocked Gene Tunney down in the seventh round, but failed to go to a neutral corner immediately, which caused the referee to delay the count. Tunney recovered and won the fight. See more »
Near the end of the film, after the big match, in Belle's dressing room, in one shot Willie has a cigarette to his mouth in his right hand and his left is in his pocket. In the next wider shot, he's smoking with his left hand and his right is in his pocket. See more »
I'm gonna think some swell things about you, Willie Ryan. And I hope you'll think some swell things about me.
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In earlier viewer comments I notice that Max Baer is referred to both as a "lunk" and as a dominating presence. He had every opportunity, since he appears in a majority of the scenes. The script called on him to demonstrate incredibly diverse talents, even as he was surrounded by such seasoned performers as Myrna Loy, Walter Huston and Otto Kruger, all of whom give excellent performances. We see him in semi-comic scenes as a braggart strong man; in love scenes with Myrna Loy in which something seems really to be going on between them, and in flirtations or affairs with other women; in a ten-minute "dance" number embodying fighter training techniques with a line of chorus girls; and finally in an only slightly abridged championship fight with the then heavyweight champ Primo Carnera, anticipating their actual battle a year later. It's amazing that a screen neophyte with no drama training actually brings these off credibly; I agree with the dominating presence comment. If you look at his subsequent filmography, it's clear that he never had another significant opportunity; perhaps it was necessary for a film to be built around him as this one was. As I watched this film last night the thought came to me that he was born fifty years too soon; he could have been successful in the kind of roles recently played by Stallone and Schwarzenegger, neither of whom, in my opinion, has the range for which Baer showed the potential.
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