The Private Life of Henry VIII. (1933)

Tells how King Henry VIII came to marry five more times after his divorce from his first wife.

Director:

Alexander Korda

Writers:

Lajos Biró (story), Arthur Wimperis (story),

Stars:

Charles Laughton, Robert Donat, Franklin Dyall

Won 1 Oscar. Another 1 win & 1 nomination.

Cast

Cast overview, first billed only:
Charles Laughton	...	Henry VIII
Robert Donat	...	Thomas Culpeper
Franklin Dyall	...	Thomas Cromwell
Miles Mander	...	Wriothesley
Laurence Hanray	...	Archbishop Cranmer (as Lawrence Hanray)
William Austin	...	Duke of Cleves
John Loder	...	Peynell
Claud Allister	...	Cornell (as Claude Allister)
Gibb McLaughlin	...	The French Executioner
Sam Livesey	...	The English Executioner
Merle Oberon	...	Anne Boleyn The Second Wife
Wendy Barrie	...	Jane Seymour The Third Wife
Elsa Lanchester	...	Anne of Cleves The Fourth Wife
Binnie Barnes	...	Katherine Howard The Fifth Wife
Everley Gregg	...	Katherine Parr The Sixth Wife

Storyline

This movie tells the story of King Henry VIII and the last five of his six wives. Set almost entirely within the royal castle, it begins just before the death of his second wife (Anne Boleyn) and ends just after his sixth wedding (to Catherine or Katherine Parr).

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Plot Keywords:

king | king henry viii | anne boleyn | divorce | jane seymour | 

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Taglines:

EVERY WOMAN GOT IT IN THE NECK - Eventually

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Genres:

Biography | Comedy | Drama | History

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Details

Country:

UK

Language:

English

Release Date:

21 September 1933 (USA)

Also Known As:

Das Privatleben Heinrichs VIII.

Filming Locations:

British and Dominions Studios, Elstree, Hertfordshire, England, UK

Box Office

Budget:

£60,000 (estimated)

Company Credits

Production Co:

London Film Productions

Technical Specs

Runtime:

97 min

Sound Mix:

Mono (Western Electric Sound System Noiseless Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The film's success enabled Alexander Korda to establish London Films.

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Goofs

Anne of Cleves compares Henry to the legend of Bluebeard, a literary reference not known to exist before 1697.

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Quotes

King Henry VIII: You know, the Germans offered me half of France if I'd join 'em... heh... and the French offered me Flanders. Heh heh heh. They're very generous with each other's territory, heh heh heh. In my youth, in Wolsey's time, I'd have accepted one offer or the other, but what's the use of new territories and wars, wars, wars again?

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Connections

Referenced in Hollywood Mouth 2 (2013)

User Reviews

An enjoyably boisterous Henry in a funny, interesting and surprisingly sensitive film

During his reign, Henry the Eighth had six wives. The first of these was Catherine of Aragon but her story is of no particular interest as she was a decent and respectable woman – so Henry only divorced her. However his next wife was a different matter altogether and we join the story on the day of Anne Boleyn is getting her neck ready for the executioner's block. Henry is a boisterous king who, no matter how bad his many marriage experiences, cannot seem to avoid getting married again; as he himself says, 'the things I do for England'!

When I taped this film I had never heard of it but before watching it was told that it was a great moneymaker of the time in the US. I wasn't sure if this was a very historic film or a fun film but the opening credit title made me realize it would be a sort of humorous historical piece – it is practically the sort of title card that appears before many Laurel & Hardy shorts! True to form the film takes liberties with history but does so to the benefit of the film, making it very funny and rather larger than life (not that hard a subject given Henry's life!) but not to the point where it is just a comedy – no, it is better written than that. Instead it manages to present this big boisterous life in a balanced way – when events are funny, they are funny but on the flipside it also lets us see that Henry is lonely, trapped by affairs of state and rather a big child at times. It is hard to describe but this film managed to run a gauntlet of emotions in a way that I was pretty impressed by. The very good writing has prevented it dating at all and it is just as enjoyable as it was then – in fact I can't think of a film that I have been more pleasantly surprised by for quite a while – how ironic that it is over 70 years old!

Outside of the script and direction, a massive reason that this film works is a great performance from Laughton. His Henry is fantastically lively and energetic without ever going completely OTT. He manages to deliver his funny lines with great timing and awareness but also delivers a real character who we can feel for – he conveys real hurt and loneliness with just looks at times, and his tearful breakdown is actually quite moving. He is given good support from many small roles who are given good parts – even the observers at the executions have great lines! The 39 Steps' Robert Donat gives good support in a straighter and less showy role and the various member of Henry's court are reliable. However the film belongs to Laughton and he runs it, realising the script's potential and then some.

Overall I came to this film not sure what to expect and I was very surprised by just how enjoyable and well rounded it was. Historians may be irritated by a rather generous interpretation of history but the basics are all there and the writer's touch has only really added colour and a sense of fun to the story. The script is packed with material that is funny and telling at different points and it is delivered with real confidence and ability by Laughton in a performance that dominates the film and is a major reason I enjoyed it as much as I did.