A man's life is retold just after his funeral. Beginning as a track walker, Tom Garner rose through all sorts of railroad jobs to head the company. In the meantime he lost touch with his ... See full summary »
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
Joe Sullivan is itching to get out of prison. He's taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or ... See full summary »
1661: Cardinal Mazarin dies. In the power vacuum, the young Louis asserts his intention to govern as well as rule. Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Surintendant... See full summary »
Irene Girard is an ambassador's wife and used to always live in luxury. After the dramatic death of her son, she feels guilty of having neglected him and feels compelled to help people in ... See full summary »
Pluto, having seen the earth, comes back home amazed at the success of that well-known dance, the "cake-walk." He has brought back with him two noted well-known dancers, who start their ... See full summary »
A man's life is retold just after his funeral. Beginning as a track walker, Tom Garner rose through all sorts of railroad jobs to head the company. In the meantime he lost touch with his family. When he saw what was happening it was already too late. Written by
Ed Stephan <firstname.lastname@example.org>
For many years, this was a "lost" film. When critic Pauline Kael wrote her "New Yorker" article "Raising Kane" claiming this film heavily influenced the development of Citizen Kane (1941), she could only reference it from memory as prints had not been available for 30 years. When the film was "rediscovered", it was discovered that Kael had overstated her case: It was not the example of classic cinema she had claimed it was, and its influences on "Kane" likely were minimal. See more »
As a boy, Tom cuts the back of his right hand badly. We are shown in a later scene that the scar is prominent as an old man. Yet on scenes showing him in between there is no scar. See more »
When I was a kid, we didn't have radios and moving pictures and automobiles and all things like kids have today. We had fun just the same. And the place we liked best was the swimming hole.
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Ave Maria, Op.52 No.6
Music by Franz Schubert
In the score after Sally's childbirth See more »
When I first saw Colleen Moore it was in the excellent series about silent films called "Hollywood". There she was in 1980, her hair defiantly bobbed as it was in the Twenties, a sparkling, witty and charismatic elderly lady - the very definition of "presence". Then I saw her fabulous silent comedy work in films like "Ella Cinders" and "Orchids and Ermine". Then the disappointingly sombre talkie "The Scarlet Letter". And now here she is in "The Power and the Glory" giving a performance of staggering power, working expertly alongside one of the talking cinema's finest actors - Spencer Tracy.
I found the movie a little lack lustre story-wise, but Moore and Tracy give such brilliant performances that the story hardly seems to matter. Both actors age from youth to old age in the course of the film - and this is done mostly through acting alone with minimal make-up and hair changes. Moore is almost unrecognisable as the elderly wife, and the scene where she finds out her husband is seeing a younger woman is one of the most magnificently performed scenes I have ever seen. She does most of the scene without dialogue, which is where her silent acting experience gives her the edge, even over Tracy. Contrast this with her delightful comic playing in another silent sequence when she is a young woman and Tracy is struggling to propose to her. Astonishing! What this film reveals more than anything else is how shameful it is that Hollywood let this remarkable actress slip through its fingers and spend most of her life in retirement.
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