6.9/10
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18 user 4 critic

The Power and the Glory (1933)

Passed | | Drama | 6 October 1933 (USA)
A man's life is retold just after his funeral. Beginning as a track walker, Tom Garner rose through all sorts of railroad jobs to head the company. In the meantime he lost touch with his ... See full summary »

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(original screenplay)
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1 win. See more awards »
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Cast

Complete credited cast:
...
...
Sally Garner
...
Henry
...
Eve Borden
Phillip Trent ...
Tom Garner, Jr. (as Clifford Jones)
Henry Kolker ...
Sarah Padden ...
Henry's Wife
Billy O'Brien ...
Tom as a Boy
Cullen Johnson ...
Henry as a Boy
J. Farrell MacDonald ...
Mulligan
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Storyline

A man's life is retold just after his funeral. Beginning as a track walker, Tom Garner rose through all sorts of railroad jobs to head the company. In the meantime he lost touch with his family. When he saw what was happening it was already too late. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

6 October 1933 (USA)  »

Also Known As:

Dymanis kai doxa  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

For many years, this was a "lost" film. When critic Pauline Kael wrote her "New Yorker" article "Raising Kane" claiming this film heavily influenced the development of Citizen Kane (1941), she could only reference it from memory as prints had not been available for 30 years. When the film was "rediscovered", it was discovered that Kael had overstated her case: It was not the example of classic cinema she had claimed it was, and its influences on "Kane" likely were minimal. See more »

Goofs

As a boy, Tom cuts the back of his right hand badly. We are shown in a later scene that the scar is prominent as an old man. Yet on scenes showing him in between there is no scar. See more »

Quotes

Henry: [narrating] When I was a kid, we didn't have radios and moving pictures and automobiles and all things like kids have today. We had fun just the same. And the place we liked best was the swimming hole.
See more »

Connections

Referenced in Citizen Kane (1941) See more »

Soundtracks

Nearer My God, To Thee
(1856) (uncredited)
Music by Lowell Mason
Lyrics by Sarah F. Adams
Sung at church in the opening scene by an offscreen chorus
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User Reviews

 
What's the bottom line? A great and successful businessman with a disastrous personal life
10 January 2000 | by (Los Angeles) – See all my reviews

The story of Tom Garner opens with his grand funeral and is told through a series of elegant flashbacks narrated by his faithful lifetime friend Henry. Henry and his wife debate whether Tom was a great man and a genius or an utterly worthless scoundrel. The film is beautifully written, acted and directed, and I highly recommend it.

Tom was the fabulously rich and successful owner of a large railroad, dominating his board of directors and his competition, terrorizing his employees, slaughtering strikers. Tom's ambitious wife Sally was responsible for all of Tom's success. When he met her, he was illiterate and entirely content with his work as a trackwalker for the railroad. Sally teaches him to read and takes over his trackwalker job while Tom goes to school. He starts to rise one step at a time through the railroad hierarchy until he eventually takes over as president.

But as Tom becomes a business tycoon, his marriage to Sally gradually falls to pieces. His spoiled son despises him, and he takes up with a much younger woman (the aptly named Eve), with predictably catastrophic consequences. In his business life, Tom is a total success; in his personal life, a disastrous failure. Much like the Hearst figure in "Citizen Kane," Tom symbolizes the best and the worst of the capitalist system.

Spencer Tracy is terrific in the role of Tom Garner and the business scenes ring with authenticity. Colleen Moore is also excellent as Sally; both of them age beautifully in the multi-generational story. The film was written by Preston Sturges, but is nothing like the screwball comedies for which Sturges became famous.


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