Ex-convict Danny Kean decides to become honest as a photographer for a paper. He falls in love with Patricia, the daughter of the policeman who arrested him. Mr Nolan, her father, doesn't like that relation at first, but McLean, Kean's boss, convinces him of Kean's good nature. But Kean uses his relation to Patricia to make a photo of an execution. Due to this, Nolan loses his stripes and Kean isn't allowed to see Patricia any longer. But when one of his former friends kills two policemen, Kean sees his chance.... Written by
Stephan Eichenberg <firstname.lastname@example.org>
His camera takes 'em from love nests to Page One before they can bat an eye---or put on a negligee!
Did You Know?
The scene of Danny photographing an execution is based an actual incident in which Chicago-based crime photographer Tom Howard (who was the grandfather of 'George Wendt') surreptitiously snapped the famous photo of convicted murderess Ruth Snyder's January 12, 1928 execution in the electric chair at Sing Sing for the New York Daily News. See more
During the car chase after Danny has left the execution at Sing Sing, the car loses its left rear tire. However, in a couple of shots from the front of the vehicle as it careens out of control, the left rear tire is visibly intact. See more
[Danny is giving a tour of his newspaper's printing room
Yes, here it is - white wood pulp, plain white... Why, today it's raw, but tonight it's cooked with printer's ink, photographic art, the sweat of creative effort. Tomorrow it goes out and hundreds of thousands of men and women feed their starving, mediocre souls on the indiscretions and adventures of others. And then, a little while later, what is it?
Don't you know? They use it to wrap herring.
References 42nd Street
I'm Forever Blowing Bubbles
Music by James Kendis
, James Brockman
and Nat Vincent
Played as background piano music in the bar See more