Oliver's mother, a penniless outcast, died giving birth to him. As a young boy Oliver is brought up in a workhouse, later apprenticed to an uncaring undertaker, and eventually is taken in ... See full summary »
James A. Marcus,
Based on the Charles Dickens novel Oliver Twist is about an orphan boy who runs away from a workhouse and meets a pickpocket on the streets of London. Oliver is taken in by the pickpocket ... See full summary »
Based on Charles Dickens' novel, this adaptation traces the childhood of an orphan whose mother dies giving birth to him in an English work-house in the 1820s. Little Oliver Twist, already ... See full summary »
In a storm, in a workhouse, to a nameless woman, young Oliver Twist is born into parish care where he's overworked and underfed. As he grows older his adventures take him from the ... See full summary »
An elderly shop-keeper and his grand-daughter are threatened by the rich, mean-spirited dwarf Quilp, and decide to flee across England to escape him. They are pursued both by Quilp and by ... See full summary »
A poor girl falls for a wealthy young man. He invites her to his gala birthday party, but she doesn't have the right kind of dress to wear, so her family and friends band together to raise money to get her the proper dress.
While this film is not especially well-remembered today, and has been eclipsed by practically all of the later film versions of the Charles Dickens novel, it did begin a Hollywood "fad" for Dickens that lasted for about five years. It was followed by Great Expectations (1934) (a poorly reviewed and now forgotten version with Jane Wyatt and Phillips Holmes), the classic MGM all-star David Copperfield (1935), Universal's Mystery of Edwin Drood (1935) (with Claude Rains), the classic A Tale of Two Cities (1935) - another MGM Dickens blockbuster - and MGM's 1938 A Christmas Carol (1938) with Reginald Owen. There would be very few versions of Dickens from Hollywood after that; most films based on Dickens' books would be made by British studios. However, notable exceptions have been the many versions of "A Christmas Carol" produced for American television. See more »
When Oliver is trying to keep up with the horse cart on his adventure to London, he is clearly stopping each time to get into the correct position before doing a flip. See more »
My baby, my boy. I want to see him.
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Most of the movies from the 30's I have seen have a "stage" look. This one is no different. The acting is not bad when compared to other period movies. It should be noted that "Talkies" had not been out that long when this movie was released. We tend to compare movies "back then" with "modern day" movies. There was notable plot and character development in early movies mainly because the special effects weren't very good if there were any at all. The acting was a theatrical type acting rather than cinematic. This was because of the connections to vaudeville that most actors and actresses had at the time. This is like the difference between a live Broadway Play and a Hollywood movie. As a "modern movie", this is a poor excuse of a movie. There is no graphic violence, no adult language, no space ships or aliens. If you want a movie that tells a story and will keep you wrapped up in a specific plot, you won't be disappointed.
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