When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine ... See full summary »
Noted writer Kenneth Bixby, in love with his witty secretary Anne Rogers, nevertheless agrees to a tete-a-tete with a former college fling, loopy Danish girl Julie who is married to ... See full summary »
In London, sculptor Ivan Igor struggles in vain to prevent his partner Worth from burning his wax museum...and his 'children.' Years later, Igor starts a new museum in New York, but his maimed hands confine him to directing lesser artists. People begin disappearing (including a corpse from the morgue); Igor takes a sinister interest in Charlotte Duncan, fiancée of his assistant Ralph, but arouses the suspicions of Charlotte's roommate, wisecracking reporter Florence. Written by
Rod Crawford <firstname.lastname@example.org>
You might as well know the truth as suspect it!---Here's every nerve-shattering fact laid before your startled eyes! The love riddle the police were afraid to solve brought under the lens of public scrutiny in a picture made behind bolted doors! See more »
The shot of the 'monster' lifting up the sheet in the morgue was, along with many other Warner Bros. films of the early 1930s, incorporated into the opening credits of their 1974 musical MAME. See more »
Early in the movie, the shadow of the camera is visible on the road as the man crosses the street, and then again when Charlotte walks into the police station, this time on the backs of chairs and on the table. See more »
I've only known you twenty-four hours, but I'm in love with you.
Doesn't usually take that long.
See more »
In the early 1930's Jack Warner was under contract to use the Two-strip technicolor process on a Warner Brothers film. Unfortunately, this primitive form of color cinematography had a limited pallet of colors. Everything had an unnatural pastel look. Warner wisely choose a genre not dependent on reality- the horror film. Their first color horror film was DOCTOR X, a wild and macabre who-dunnit complete with scary murders, truly mad doctors and a cannibal. DOCTOR X, released in 1932, was enough of a success, that Warner Brothers reunited it's director, Michael Curtiz, the two leads, Lionel Atwill and Fay Wray, and the two strip Technicolor process for yet another horror film. The new film, simply titled WAX MUSEUM during production was a fast moving creepy chiller that mixed the gloom of Depression era New York with the creepy going-ons of a wax museum. The film begins in 1921. Sculptor Ivan Igor (a bohemian looking Lionel Atwill), so obsessed creating his wax museum, that he ignores that he and his partner, Worth (Edwin Maxwell) are in deep financial trouble. Worth sets fire to the museum to collect on a fire insurance policy. The museum is destroyed, and Igor is left a cripple with useless hands.
Twelve years later, in Manhattan, Igor opens a new wax museum. At the same time, a wisecracking reporter, Florence (Glenda Farrell) tracks a hot case of the corpse of a recently murdered socialite stolen from the morgue. She begins to suspect that creepy wax museum downtown of stealing bodies and posing them as wax statues. What makes things worse, is that her best friend, Ruth (Fay Wray) is dating the most innocent of the questionable wax-workers. THE MYSTERY OF THE WAX MUSEUM is a DVD shelf must-have.
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