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Mystery of the Wax Museum (1933)

6.9
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Ratings: 6.9/10 from 2,826 users  
Reviews: 81 user | 42 critic

The disappearance of people and corpses leads a reporter to a wax museum and a sinister sculptor.

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(screen play), (screen play), 1 more credit »
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Title: Mystery of the Wax Museum (1933)

Mystery of the Wax Museum (1933) on IMDb 6.9/10

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Cast

Complete credited cast:
...
...
Glenda Farrell ...
Frank McHugh ...
Jim
Allen Vincent ...
Gavin Gordon ...
...
Joe Worth
Holmes Herbert ...
Dr. Rasmussen
Claude King ...
Mr. Galatalin
Arthur Edmund Carewe ...
Sparrow - Professor Darcy
Thomas E. Jackson ...
Detective (as Thomas Jackson)
DeWitt Jennings ...
Police Captain
Matthew Betz ...
Hugo
Monica Bannister ...
Joan Gale
Edit

Storyline

In London, sculptor Ivan Igor struggles in vain to prevent his partner Worth from burning his wax museum...and his 'children.' Years later, Igor starts a new museum in New York, but his maimed hands confine him to directing lesser artists. People begin disappearing (including a corpse from the morgue); Igor takes a sinister interest in Charlotte Duncan, fiancée of his assistant Ralph, but arouses the suspicions of Charlotte's roommate, wisecracking reporter Florence. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Another Lovely Woman Vanished from the Earth!...Another Beauty Molded to His Desire! See more »


Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

18 February 1933 (USA)  »

Also Known As:

The Mystery of the Wax Museum  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Vitaphone)

Color:

(2-strip Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The shot of the 'monster' lifting up the sheet in the morgue was, along with many other Warner Bros. films of the early 1930s, incorporated into the opening credits of their 1974 musical MAME. See more »

Goofs

After Worth hits Darrow and he falls against the wall it very noticeably moves showing that it's a prop. See more »

Quotes

Ivan Igor: My dear, why are you so pitifully afraid? Immortality has been the dream, the inspiration of mankind through the ages. And I am going to give you immortality!
See more »

Connections

Featured in Universal Horror (1998) See more »

Soundtracks

The Prisoner's Song
(1925)(uncredited)
Written by Guy Massey
Sung a cappella by Glenda Farrell
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Poor Glenda Farrell
22 April 2001 | by (Springfield, Missouri) – See all my reviews

She has been so sorely maligned. Despite what has been claimed by others here, Glenda Farrell was not a bad actress. A little broad sometimes perhaps, but not bad. She is a dynamo of live energy, which the film badly needs, for the only other energetic character in the film is Atwill, and only Farrell has the force to bring him down(that the script does not let her do so personally betrays the character). It is not Farrell's performance or even her character which is the problem of the film, but the script which makes that character necessary. Chock Full O' undeveloped characters (only Atwill and Farrell qualify as more than ciphers)whose paths cross coincidentally,Farrell's reporter is the one in the middle bringing the disparate elements together. A reporter or policeman had to be the central character, for only one of those two would be privy to all or even enough of the info needed to solve the puzzle, or to even recognize that the puzzle existed. And only a female reporter could be Fay Wray's roommate, as female police detectives or beat cops didn't exist(at least not in Hollywood). And only a fast-talking, wisecracking, brash and fierce female reporter able to beat the stereotypical fast-talking, wisecracking, brash 1930's male reporter at his own game could find the story AND crack the case before the police. Others have objected to the attention given the comic relief, apparently misunderstanding the term. Comic relief characters are supporting characters, and in this film, despite third billing, Glenda Farrell is the female lead. Fay Wray was a freelancer and able to negotiate better billing even though her role doesn't deserve it. Had she not had a real lead in the companion film DR.X, it's unlikely she would have been asked to take such a small part. Charlotte is needed in the story only for a face, and her face and scream are all Wray is allowed to bring to the role. As outstanding as those two attributes are, they don't add up to a real character. And while Farrell cracks wise, she is doing serious work central to the tale. A role with comedic content is not automatically a comic relief part. The script is a mess, letting down the great concept. HOUSE OF WAX is a much tighter script, more linear, combining ingenue and snoop into one role, and beefing up the part of the disfigured sculptor. It drops the very extraneous playboy character and the loose ends which trail in his wake. But most agree that HOUSE is boring compared to MYSTERY, and in addition to the direction and editing, much of MYSTERY's drive comes from the girl reporter and the crack actress who played her. Even if you do find her grating, Glenda Farrell is never boring.


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As Good as 1953 version? mmpabbott
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