When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
In London, sculptor Ivan Igor struggles in vain to prevent his partner Worth from burning his wax museum...and his 'children.' Years later, Igor starts a new museum in New York, but his maimed hands confine him to directing lesser artists. People begin disappearing (including a corpse from the morgue); Igor takes a sinister interest in Charlotte Duncan, fiancée of his assistant Ralph, but arouses the suspicions of Charlotte's roommate, wisecracking reporter Florence. Written by
Rod Crawford <email@example.com>
The wax figures look like real people because they ARE real people. The original plan was to use actual wax figures, but they melted under the heat of the lights used at the time to film two-strip Technicolor. See more »
Ivan Igor says that Jean Paul Marat's assassin, Charlotte Corday, was his mistress. Not so - they had never met until she came to his office posing as a courier and quickly stabbed him to death. After her execution a few days later, she was found to be virgo intacta. See more »
I've only known you twenty-four hours, but I'm in love with you.
Doesn't usually take that long.
See more »
This film is full of unexpected twists and turns as should be any good mystery. When bodies begin disappearing, a desperate reporter finally hopes to get the break she needs to keep her job by attempting to unravel the mystery. She soon finds herself investigating a new wax museum which just happens to have a woman figurine of Joan of Arc which greatly resembles one of the missing bodies named Joan Gale. From there things continue to unravel and conclude in surprisingly horrific fashion for the time and era.
The Horror is there in terms of the mysterious burnt figure we see snatching the bodies as well as many other strange figures often seen only in menacing shadow.
The acting is superb. Lionel Atwill is outstanding in the role of Ivan Igor-the owner of the new wax museum who is trying to recapture his past loss. Fay Wray is stunningly beautiful in her short role as Charlotte who finds herself in a whole lot of unexpected trouble. Glenda Farrell also adds considerable energy as the female reporter--a character which unfortunately became much too common and stereotypical in this period of film. Nonetheless Farrell is quite competent in the role and definitely adds her own stamp to it.
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