When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
Karl is the workaholic adopted son while Stephan is the lazy one. They both go to Munich to study medicine and Karl is at the top of the class while Stephan is barely passing. When ... See full summary »
A crippled puppeteer rescues an abused young boy and turns the boy into a great ballet dancer. Complications ensue when, as a young man, the dancer falls in love with a young woman the ... See full summary »
In London, sculptor Ivan Igor struggles in vain to prevent his partner Worth from burning his wax museum...and his 'children.' Years later, Igor starts a new museum in New York, but his maimed hands confine him to directing lesser artists. People begin disappearing (including a corpse from the morgue); Igor takes a sinister interest in Charlotte Duncan, fiancée of his assistant Ralph, but arouses the suspicions of Charlotte's roommate, wisecracking reporter Florence. Written by
Rod Crawford <email@example.com>
The morgue set was recycled from the laboratory set in the earlier "Doctor X," also a two-strip Technicolor horror film directed by Michael Curtiz and starring Lionel Atwill and Fay Wray. See more »
When Florence runs outside and calls for Winton she is facing to the right, but when Winton pulls up he comes from the left. See more »
[describing the disfigured man's appearance]
And that face, it was like an African war mask.
You mean he was colored?
I don't know what he was, but he made Frankenstein look like a lily.
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The beauty of two-strip Technicolor rendering sensual pastel tones and settings in London (1921) and New York (1933), art direction by legendary Anton Grot, Orry-Kelly gowns, Lionel Atwill at his maddest and Fay Wray in all her splendor, make this one of the finest horror films of not only the 30s but of all time. The pace of this film is fast, the comedy relief enjoyable but not detracting from its story. Atwill imbues his character of Ivan Igor with all the menace and evil he could muster (and that was calibrated in tons!) So far superior to its remake (HOUSE OF WAX with Vincent Price) that it leaves its competitor in the dust. Easily my favorite film to look at after New Year's Eve parties. Fantastic fun and candy for the eyes with all that streamlined Art Deco grandeur!
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