FantasticFest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, and action movies from all around the world. Here's a list of some of our favorite movies at FantasticFest.
When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
In London, sculptor Ivan Igor struggles in vain to prevent his partner Worth from burning his wax museum...and his 'children.' Years later, Igor starts a new museum in New York, but his maimed hands confine him to directing lesser artists. People begin disappearing (including a corpse from the morgue); Igor takes a sinister interest in Charlotte Duncan, fiancée of his assistant Ralph, but arouses the suspicions of Charlotte's roommate, wisecracking reporter Florence. Written by
Rod Crawford <email@example.com>
The wax figures look like real people because they ARE real people. The original plan was to use actual wax figures, but they melted under the heat of the lights used at the time to film two-strip Technicolor. See more »
The glass window in the door goes from having only a small section broken to almost the entire window gone and back to only a small portion gone. See more »
The beauty of two-strip Technicolor rendering sensual pastel tones and settings in London (1921) and New York (1933), art direction by legendary Anton Grot, Orry-Kelly gowns, Lionel Atwill at his maddest and Fay Wray in all her splendor, make this one of the finest horror films of not only the 30s but of all time. The pace of this film is fast, the comedy relief enjoyable but not detracting from its story. Atwill imbues his character of Ivan Igor with all the menace and evil he could muster (and that was calibrated in tons!) So far superior to its remake (HOUSE OF WAX with Vincent Price) that it leaves its competitor in the dust. Easily my favorite film to look at after New Year's Eve parties. Fantastic fun and candy for the eyes with all that streamlined Art Deco grandeur!
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