IMDb > Morning Glory (1933)
Morning Glory
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Morning Glory (1933) More at IMDbPro »

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Overview

User Rating:
6.6/10   1,632 votes »
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Down 13% in popularity this week. See why on IMDbPro.
Director:
Writers:
Howard J. Green (screen play)
Zoe Akins (from the play by)
Contact:
View company contact information for Morning Glory on IMDbPro.
Release Date:
18 August 1933 (USA) See more »
Genre:
Tagline:
She'll give you the heart thrill of your life ! See more »
Plot:
When a naively innocent, aspiring actress arrives on the Broadway scene, she is taken under the wing of several theater veterans who mentor her to ultimate success. Full summary » | Full synopsis »
Awards:
Won Oscar. See more »
User Reviews:
Horse whipped to the Finish Line See more (33 total) »

Cast

  (in credits order) (verified as complete)

Katharine Hepburn ... Eva Lovelace

Douglas Fairbanks Jr. ... Joseph Sheridan

Adolphe Menjou ... Louis Easton

Mary Duncan ... Rita Vernon

C. Aubrey Smith ... Hedges
Don Alvarado ... Pepi
Fred Santley ... Seymour (as Fredric Santly)
Richard Carle ... Henry Lawrence
Tyler Brooke ... Charles Van Duesen
Geneva Mitchell ... Miss Hall
Helen Ware ... Miss Navarre
rest of cast listed alphabetically:
Robert Adair ... Roberts (uncredited)
Ralph Bard ... Head Usher (uncredited)

Billy Bletcher ... Actor (uncredited)
Robert Bolder ... Actor (uncredited)

John Carradine ... Bit Role (uncredited)
Louise Carver ... Miss Waterman (uncredited)
Helene Chadwick ... Miss Murray (uncredited)
Shirley Chambers ... Woman at Party (uncredited)
Helen Collins ... Bit Role (uncredited)
D'Arcy Corrigan ... Bit Role (uncredited)
Nathan Curry ... Elevator Operator (uncredited)
Harry D'Arcy ... Pedestrian (uncredited)
Helen Dickson ... Miss Tracy (uncredited)
Joan Dix ... Bit Role (uncredited)
Florence Dudley ... Bit Role (uncredited)
James Duffy ... Bit Role (uncredited)
Jay Eaton ... Bit Role (uncredited)
Bill Fisher ... Grip (uncredited)
Carter Gibson ... Bit Role (uncredited)
John Gough ... Actor (uncredited)
Carlton Griffin ... Bit Role (uncredited)
Charlie Hall ... Actor (uncredited)
Theresa Harris ... Bit Role (uncredited)
Althea Henley ... Bit Role (uncredited)
Lloyd Ingraham ... Bit Role (uncredited)
Leroy Johnson ... Theater Janitor (uncredited)
Julanne Johnston ... Bit Role (uncredited)
John Kelly ... Prop Man (uncredited)
Winifred Landis ... Dowager (uncredited)
Pat O'Malley ... Actor (uncredited)
George Periolat ... Bit Role (uncredited)
Arthur Rankin ... Frank (uncredited)
Frances Raymond ... Dowager (uncredited)
Sana Rayya ... Emma (uncredited)
Harrington Reynolds ... Bit Role (uncredited)
Jack Rice ... Newspaperman (uncredited)
Vera Steadman ... Bit Role (uncredited)
Al Stewart ... Actor (uncredited)
Ray Stewart ... Pedestrian (uncredited)
Jerome Storm ... Actor (uncredited)
Edward Thomas ... Ticket Taker (uncredited)
Max Wagner ... Smoker in Diner (uncredited)
Pauline Wagner ... Bit Role (uncredited)
Mildred Washington ... Rita Vernon's Dresser (uncredited)
Florence Wix ... Bit Role (uncredited)
William Worthington ... Banker (uncredited)
Otto Yamaoka ... Servant (uncredited)

Directed by
Lowell Sherman 
 
Writing credits
Howard J. Green (screen play)

Zoe Akins (from the play by)

Produced by
Pandro S. Berman .... producer
Merian C. Cooper .... executive producer
 
Original Music by
Max Steiner 
 
Cinematography by
Bert Glennon (photographed by)
 
Film Editing by
William Hamilton 
 
Set Decoration by
Charles M. Kirk (settings) (as Chick Kirk)
Van Nest Polglase (settings)
Ray Moyer (uncredited)
 
Costume Design by
Walter Plunkett (uncredited)
 
Makeup Department
Mel Berns .... key makeup artist (uncredited)
 
Production Management
C.J. White .... production manager (uncredited)
 
Second Unit Director or Assistant Director
James Hartnett .... assistant director (uncredited)
Edward Killy .... assistant director: additional scenes (uncredited)
F. Harmon Weight .... assistant director (uncredited)
 
Art Department
Thomas Little .... props (uncredited)
 
Sound Department
Hugh McDowell Jr. .... recordist
George D. Ellis .... recordist: additional scenes (uncredited)
 
Special Effects by
Harry Redmond Sr. .... special effects supervisor (uncredited)
 
Camera and Electrical Department
Charles Burke .... assistant camera (uncredited)
Henry W. Gerrard .... photographer: additional scenes (uncredited)
Russell Metty .... camera operator (uncredited)
Ollie Sigurdson .... still photographer (uncredited)
 
Editorial Department
Harry Hart .... assistant editor (uncredited)
 
Music Department
Bernhard Kaun .... orchestrator (uncredited)
Murray Spivack .... music recordist (uncredited)
 
Other crew
Katherine Doyle .... stand-in: Katherine Hepburn (uncredited)
Carter Gibson .... stand-in: Douglas Fairbanks, Jr. (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
74 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Victor System)
Certification:
Argentina:13 | Canada:PG (Ontario) | UK:A (original rating) | USA:Passed (National Board of Review)

Did You Know?

Trivia:
The four portraits that Eva sees in the theatre are of Maude Adams, Ethel Barrymore, Sarah Bernhardt and John Drew. Sarah Bernhardt is well-known in her own right even now. The portrait of John Drew is likely to be of John Drew Jr (1853-1927) rather than John Drew Sr (1827-1862) (an American actor of the early 1800s). John Drew Jr was a renowned American actor of the late 1800s, the leading matinée idol of his time. Maude Adams (1872-1953) was one of the most popular American actresses of the 1890s and early 1900s, achieving great fame in J. M. Barrie's plays. Drew Jr and Adams worked together for 5 years from 1892, achieving great success and making Adams a star. Ethel Barrymore (1879-1959), with brothers Lionel and John, was one of the Barrymore siblings who achieved greatness on the American Stage and in films. The Barrymore siblings were the niece and nephews of John Drew Jr.See more »
Goofs:
Boom mic visible: Mic shadow on wall as Sheridan drags Eva out of dressing room after star quits play on opening night.See more »
Quotes:
Eva Lovelace:I hope you're going to tell me your name. I want you for my first friend in New York. Mine's Eva Lovelace. It's partly made up and partly real. It was Ada Love. Love's my family name. I added the 'lace.' Do you like it, or would you prefer something shorter? A shorter name would be more convenient on a sign. Still, 'Eva Lovelace in Camille,' for instance, or 'Eva Lovelace in Romeo and Juliet' sounds very distinguished, doesn't it?See more »
Movie Connections:
Referenced in Z Channel: A Magnificent Obsession (2004) (TV)See more »

FAQ

This FAQ is empty. Add the first question.
15 out of 19 people found the following review useful.
Horse whipped to the Finish Line, 3 April 2006
Author: (futures@exis.net) from Ronn Ives/FUTURES Antiques, Norfolk, VA.

"Morning Glory" (1933): Katherine Hepburn won her first Oscar in the role of a naive, romantic young woman who wants to become a New York stage star. The story is of that climb, and were it kept this direct, might not be a brain teaser, but at least it wouldn't end muddled. Her character begins as a wonderfully flaky, idealistic, bubble-headed but assertive hopeful, who stumbles her way into the hearts of calloused stage people. You can't help but like her. However… whether it's in the script or the editing, the sense of TIMING becomes very odd. Her character is given plenty of attention and patience in the first half of the film, and then the story is increasingly horse-whipped into a faster & faster, more compressed, rushed explanation, until finally – at the end (if you can call it that) – the entire idea simply SCREECHES TO A SUDDEN HALT – and you're left looking around the room, wondering if the electricity just went out.

Was the above review useful to you?
See more (33 total) »

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