Novice policemen Stanley and Oliver, eating lunch in their patrol car, nearly have their spare tire stolen by a thief and his sassy partner. They then miss the broadcast address of a ...
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Barbershop owners Stanley and Oliver both answer a personal ad from a rich widow seeking a husband. Oliver hides Stanley's reply and mails just his own. When Oliver receives a proposal of ... See full summary »
Stan and Ollie take a trip into the mountains ('the high multitude') so that Ollie can recover from gout. Bootleggers have dumped their moonshine in the well from which the boys sample ... See full summary »
Stan and Ollie give evidence which convicts vicious gangster Butch. They plan to leave town and advertise for a traveling companion to share expenses. Butch's girl replies to the advert and... See full summary »
Chimney sweeps Stanley and Oliver go about their job, reducing Professor Noodle's living room to a shambles in the process, while the mad doctor works in his laboratory perfecting his "... See full summary »
After getting lambasted by the Police Chief for the 42 unsolved robberies committed on his watch, Officer Kennedy bamboozles vagrants Stanley and Oliver into a plan to recover his ... See full summary »
Door-to-door greeting card salesmen Stanley and Oliver call upon Mrs. Pierre Gustave, a woman distraught over her husband's neglect. They agree to her plan to reclaim her husband's ... See full summary »
Oliver's in trouble with his wife after missing a payment on their furniture, having given the money to Stanley, who used it instead to pay Mrs. Hardy for his room and board. While doing ... See full summary »
A gruff sea captain, who absolutely detests the word "ghost," is having trouble manning his ship because of the rumor it's...well...haunted. He inveigles Stanley and Oliver into helping him... See full summary »
Ordered out of town by angry Judge Beaumont, vagrants Stanley and Oliver meet a congenial drunk who invites them to stay at his luxurious mansion. The drunk can't find his key, but the boys... See full summary »
Novice policemen Stanley and Oliver, eating lunch in their patrol car, nearly have their spare tire stolen by a thief and his sassy partner. They then miss the broadcast address of a burglary in progress, and Stanley borrows the phone in a jewelry store to call the station, mistaking the safecracker inside for the shop's owner. The boys eventually manage to catch the apparent burglar and bring him back to the station, only to find it's really the police chief, who'd been locked out of his house. The chief exacts a rather dire revenge upon the two rookie cops. Written by
Paul Penna <firstname.lastname@example.org>
Stan unwittingly closes the door over the phone cord cutting it. In the scene before that, where he opens the phone box to get their lunch, it shows that the phone cord has already been cut. See more »
Now when I say "three", we'll go THAT way
[indicating the front door of the house]
- not THIS way
[indicating the water in the fishpond in which they are currently standing knee-deep]
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Noir-ish and morbid for one of the most iconic comedy duos in history
We've seen Laurel and Hardy as bums, unionized workers, manual laborers, Christmas tree sales man, and men soon to be married, but never before have we seen them as police officers (that work was presumably left to the Keystone Cops). The Midnight Patrol shows Laurel and Hardy as two late night police officers, who are informed of a burglary at a nearby mansion. After being completely oblivious to another thief attempting to crack a safe at a local store until he tries to steal the boys' car, Laurel and Hardy arrive at the aforementioned mansion and need to find a way inside. The boys attempt to use a solid stone bench as a battering ram to break the door down, which results in one of the funniest Laurel and Hardy stunts in any of their shorts, as they cause complete destruction to property and end up in a barrel of sauerkraut (don't ask) before being scolded by their superiors in the harshest, most evil way.
The Midnight Patrol is a much more downtrodden, morbid short by the boys, dark and noir-ish in lighting and tone, only complimenting the early 1930's time period. Laurel and Hardy are intensely watchable here, but the humor is traded for a much more casual approach to a narrative that isn't always funny nor interesting, and, frankly, sometimes boring. However, the frightening and unexpected ending and the setup here are unique enough for Laurel and Hardy standards that The Midnight Patrol merits a watch in some respect.
Starring: Stan Laurel and Oliver Hardy. Directed by: Lloyd French.
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