Mickey the mail pilot is entrusted with a chest of money. He battles rain and snow, but his biggest battle is against Pete, who has a plane equipped with a machine gun and a harpoon cannon.... See full summary »
Mickey is looking after the orphans. He tells them the story of Gulliver (with Mickey in that role) in Lilliput, though without the satire and bawdy bits. The story ends with Mickey fighting a giant spider, about twice his size.
Mickey's orphans ask for a story; Mickey casts himself as Jack in Jack and the Beanstalk. He starts with the climbing of the beanstalk; after evading the giant a few times, he ends up ... See full summary »
Mickey dreams of marrying Minnie and having about 20 children. For all the possible joys of children, a brood this size turns the dream into a nightmare, especially when they get into the open cans of paint strewn about the house.
Mickey and an early version of Donald Duck are police officers chasing dognapper Pegleg Pete. Despite their bumbling, they manage to repeatedly get the drop on Pete at his sawmill hideout, ... See full summary »
Mickey the mail pilot is entrusted with a chest of money. He battles rain and snow, but his biggest battle is against Pete, who has a plane equipped with a machine gun and a harpoon cannon. Mickey's plane quickly loses its wings and propeller to Pete's armaments, but he improvises a helicopter blade with a clothes-drying rack, then, when that gives way, a replacement prop from a windmill. At this point, Pete harpoons him, and Mickey drags Pete through a bell tower, demolishing Pete's plane. Mickey delivers the money to Minnie and Pete to the authorities. Written by
Jon Reeves <firstname.lastname@example.org>
Mickey, THE MAIL PILOT, knows his precious cargo must get through - even when menaced by Pete in his bat-like plane.
This is a fine little black & white film, with lots of detail in the animation. Especially good opening shot of the busy airport - notice the hapless autogyro. Walt supplies Mickey's squeaky voice.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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