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Little Women (1933)

7.4
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Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops... See full summary »

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(by), (screen play), 10 more credits »
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Title: Little Women (1933)

Little Women (1933) on IMDb 7.4/10

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Won 1 Oscar. Another 3 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
Jo
...
Amy
...
Edna May Oliver ...
...
Frances Dee ...
Meg
Henry Stephenson ...
Douglass Montgomery ...
John Lodge ...
Brooke (as John Davis Lodge)
...
Samuel S. Hinds ...
Mr. March (as Samuel Hinds)
Mabel Colcord ...
Marion Ballou ...
Nydia Westman ...
Harry Beresford ...
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Storyline

Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops. The family, headed by thier beloved Marmee, must struggle to make ends meet, with the help of their kind and wealthy neighbor, Mr. Laurence, and his high spirited grandson Laurie. Written by Liza Esser <essereli@student.msu.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Family | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

|

Release Date:

24 November 1933 (USA)  »

Also Known As:

As Quatro Irmãs  »

Box Office

Budget:

$424,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Uncredited producer David O. Selznick had a difficult time convincing RKO executives to produce this film, as there was a belief in Hollywood at the time that films based on historic novels were not popular, particularly one that centered on women during the Civil War. Selznick persisted and the film was a commercial success. Because of this, later in the decade Selznick produced Gone with the Wind (1939) through his own production company, Selznick International Pictures, from the novel by Margaret Mitchell. See more »

Goofs

Position of Jo's legs after falling while fencing changes. See more »

Quotes

[first lines]
Marmee March: So you're going to Washington?
Elderly man: Yes, ma'am; my son is sick in the hospital there.
Marmee March: Oh, this will be an anxious Christmas for you.
Marmee March: [finding him a coat] I think this one will do; let's try this. Is it your only son?
Elderly man: No, ma'am. I had four; two were killed, one is a prisoner.
Marmee March: [deeply moved] You've done a great deal for your country, sir.
Elderly man: Oh, not a mite more than I ought, ma'am. I'd go myself if I was any use. Thank you for the overcoat.
Marmee March: Wait a minute...
Marmee March: [giving him some money] I hope you ...
[...]
See more »

Connections

Version of Novela: Mujercitas (1964) See more »

Soundtracks

Chi mi frena in tal momento?
(1835) (uncredited)
aka "Sextet"
From "Lucia di Lammermoor"
Music by Gaetano Donizetti
Lyrics by Salvatore Cammarano
Performed by the theater company
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Great version for the performances of Hepburn and Lukas
17 December 2000 | by (United States) – See all my reviews

See this version of course, for the definitive Jo March in Kate Hepburn. She is all angles, awkwardness and tom-boyishness, while gradually becoming this graceful young woman. It's my favorite performance of hers, and that's saying something. The screenplay is first-rate, winning the Oscar that year, and most of the actors are just fine, with Spring Byington a notable exception as Marmee. (Director George Cukor did not want her in the film, and he knew what he was talking about.) But the wistful, gentle Beth of Jean Parker and Edna May Oliver's crotchety Aunt March are awfully good . I've always been especially taken by the performance of Professor Bhaer in this version. Portrayed by an utterly charming Paul Lukas, he embodies the professor with a three-dimensionality that Louisa May Alcott didn't seem to want to bother with. His scene where he is criticizing the writings of Hepburn's Jo is extraordinary in how subtly it changes tone--from critic , to would-be suitor. It ends with a look of longing from Lukas, that only a director like Cukor would hold so long. Not like the 1994 version with a far too handsome Gabriel Byrne showing none of the uncertainty that an older poor scholar should show while falling in love with a young woman. Great stuff. Great director. Just a shame that the sound quality isn't up to the rest of the film.


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