After Florence Fallon's father dies unappreciated in the church where he preached for many years, she becomes embittered and loses faith. She teams up with Horsby, a con man, and performs ... See full summary »
Apple Annie is an indigent woman who has always written to her daughter in Spain that she is a member of New York's high society. With her daughter suddenly en route to America with her new fiancé and his father, a member of Spain's aristocracy, Annie must continue her pretense of wealth or the count will not give his blessing. She gets unexpected help from Dave the Dude, a well-known figure in underground circles who considers Annie his good luck charm, and who obtains for her a luxury apartment to entertain the visitors - but this uncharacteristic act of kindness from a man with a disreputable reputation arouses suspicions, leading to complications which further cause things to not always go quite as planned. Written by
One of the reasons Glenda Farrell was borrowed by Columbia from Warner Brothers, her home studio, and cast as Missouri Martin was because she was screenwriter Robert Riskin's then current girlfriend. When Capra remade Damon Runyon's story 28 years later, he found himself forced to accept Hope Lange in the same part, here rechristened Queenie Martin, because she was then the current paramour of co-producer star Glenn Ford. See more »
The position of the pool/billiard balls changes between shots in both the pool hall scene and the billiard room scene (obviously to set up the trick shots that follow). See more »
This movie must have played very well to depression-era audiences. The story of an apple seller who has been lying to her daughter who has done well for herself in Europe is sweet, heart touching and funny.
Great, quotable lines in the script, well written. The outdoors night photography is luminous, everything seems to glow, a scene in an outdoor garden with the daughter and her fiancee kissing behind a glass water fountain is beautiful to this day.
The ideas of friends and strangers coming to a needy person's aid prefigures such later Capra classics as "It's A Wonderful Life". In fact, they would make an excellent double feature together.
In our cynical times, movies like this can be seen as hokey, in fact the name Capra was frequently turned into Capra-corn, even in his day. But the fact that his movies are still treasured and enjoyed today shows that goodness is still an enduring quality and that being drawn to goodness and fairy tales like this gives us hope that those feelings are still in us.
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