3 items from 2017
“He was an icon of his craft of motion picture sound re-recording, recognized with the highest honors of his field,” his daughter Jennifer Portman wrote on her Facebook page. “He was eccentric, irreverent, and real.”
Portman received two Oscar sound nominations in 1973 for Francis Ford Coppola’s “The Godfather” and Michael Ritchie’s “The Candidate.” He was also double-nominated in 1974 for Peter Bogdanovich’s “Paper Moon” and Mike Nichols’ “The Day of the Dolphin.”
Portman received his first nom in 1971 for “Kotch,” directed by Jack Lemmon. He was also up for Oscars for Mel Brooks’ “Young Frankenstein,” Herbert Ross’ “Funny Lady,” Michael Apted’s “Coal Miner’s Daughter, »
- Dave McNary
In theaters today courtesy of Stx Entertainment is The Bye Bye Man, which was directed by Stacy Title and stars Douglas Smith, Doug Jones, Carrie-Anne Moss, Faye Dunaway, and Leigh Whannell. Daily Dead had a chance to catch up briefly with Title this week, and she discussed what she initially saw in the project, her approach to collaborating with her husband and writer for The Bye Bye Man, Jonathan Penner, and her unique cast of familiar faces and newcomers.
I’d love to start off by hearing what it was in the story of The Bye Bye Man that drew you in. The concept of this figure basically being the physical embodiment of evil is an interesting one to explore.
Stacy Title: It’s an amazing concept. We worked a very long time to make sure that we created a story that matched the innovative concept. The thing with »
- Heather Wixson
Bright Lights, the documentary about Carrie Fisher and Debbie Reynolds that debuted on HBO Saturday, was filled with major revelations about the life of the Hollywood icons — but some of its best moments and most memorable lines came by far quicker.
1. Reynolds and Fisher were so in sync, they even wore the same shoes in one scene. The sandals were different colors, for what it’s worth.
- Dave Quinn
3 items from 2017
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