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King Kong (1933)

Unrated | | Adventure, Fantasy, Horror | 7 April 1933 (USA)
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ON DISC
A film crew goes to a tropical island for an exotic location shoot and discovers a colossal giant gorilla who takes a shine to their female blonde star. Then he's captured and brought back to New York City for public exhibition.

Directors:

(uncredited), (uncredited)

Writers:

(screen play) (as James Creelman), (screen play) | 2 more credits »
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Popularity
3,987 ( 26)
3 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Sam Hardy ...
Noble Johnson ...
Steve Clemente ...
Witch King (as Steve Clemento)
James Flavin ...
...
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Storyline

Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann in it's grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

The Most Amazing Show On Any Screen ! Adventure to make you wonder if it's TRUE . . . while your very eyes convince you that it IS ! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 April 1933 (USA)  »

Also Known As:

King Ape  »

Box Office

Budget:

$670,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (restored) | (original cut)

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The 18-inch model of King Kong was made from a metal mesh skeleton, a mixture of rubber and foam for the muscle structure and rabbit fur for his hair. See more »

Goofs

When Kong is fighting the miniature biplanes the length of the lower wings are the same as the upper. When actual footage of biplanes are used the lower wingspans are shorter than the upper. See more »

Quotes

[first lines]
Charles Weston: Say, is this the moving picture ship?
Watchman: The Venture? Yeah. Are you going on this crazy voyage?
Charles Weston: What's crazy about it?
See more »

Connections

Spoofed in Rampage (1986) See more »

Soundtracks

St. Louis Blues
(1914) (uncredited)
Music by W.C. Handy
Whistled by Robert Armstrong
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Scream and Scream Again!
11 October 2002 | by (brighton, ma) – See all my reviews

So much has been written about this movie, which has been analyzed more than all but a few films, it's difficult to come up with anything new to say about it but to say that it's magnificently made, and dated as it is in certain respects, it plays as well as anything from seventy years ago, and has a dream logic of its own, which, if one submits to it, still works its charms.

A few points:

i.) There are no wholly sympathetic characters in the movie. While some people are more likable than others, there's really no one to identify with. Fantastic as the subject matter is, it's filmed almost like a documentary about an adventurer who captures a giant ape, takes it to New York, where it escapes, wreaks havoc in the city, takes down the el as if it were toy, and stomps on a lot of innocent people.

ii.) I've never heard more screaming in a movie than in this one. Men, women, children, natives, sailors, white people, dark people, you name it, they scream, often and loudly. Fay Wray is the chief screamer here, but there are plenty of others, such as the man chased up a tree by a dinosaur, and the sailors shaken off the log by Kong, as they fall to a horrifying death in the ravine. When Kong attacks the village there's screaming galore, then more screaming in old Manhattan, when the big guy breaks out of the theater. For his part, Kong does not scream. He roars. The great ape is angry, not terrified, while the people are only afraid.

iii.) As one of the chief characters is a documentary film-maker, it's impossible (for me anyway) to avoid making associations between what is going on in the film and the film-making process itself, as I wonder to what extent this entered into the minds of them men who made the movie, Merian Cooper and Ernest Shoedsack. To put it another way, film-maker Carl Denham wants to film the beast to show movie audiences something weird and exotic, so as to tickle their fancy. What he finds is so fantastic that he scraps the idea of making a movie and brings the creature back to civilization and puts it on display. But the beast has fallen in love with a woman, and when he thinks press photographers are hurting her, breaks free from his chains and goes on a rampage through Manhattan. Real life, which was supposed to make a "swell movie", proved so astonishing that it had to be brought back alive, to be shown to people as something that actually exists (i.e. not a thing made up by movie men), but in the process something went wrong, and the great creature went berserk. King Kong is in other words about a movie that didn't get made because life interfered, and proved more fantastic than the film that was abandoned. As such one might call it a cautionary tale (movie men, stick to your job). Or is it about the movies themselves? How, in their attempt to bottle life and sell it back to moviegoers as entertainment, like Kong, they have a way of breaking free and becoming real all over again.


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