| Photos (See all 10 | slideshow) | Videos (see all 3) |
| Charles Laughton | ... | Dr. Moreau | |
| Richard Arlen | ... | Edward Parker | |
| Leila Hyams | ... | Ruth Thomas | |
| Bela Lugosi | ... | Sayer of the Law | |
| Kathleen Burke | ... | The Panther Woman | |
| Arthur Hohl | ... | Montgomery | |
| Stanley Fields | ... | Captain Davies | |
| Paul Hurst | ... | Donahue | |
| Hans Steinke | ... | Ouran | |
| Tetsu Komai | ... | M'ling | |
| George Irving | ... | The Consul | |
| rest of cast listed alphabetically: | |||
| Jack Bardette | ... | Undetermined Role (uncredited) | |
| Evangelus Berbas | ... | Undetermined Role (uncredited) | |
| Joe Bonomo | ... | Beast (uncredited) | |
| Buster Brodie | ... | Pig Man - a Little Beast (uncredited) | |
| Buster Crabbe | ... | Beast (uncredited) (unconfirmed) | |
| Harry Ekezian | ... | Gola (uncredited) | |
| Charles Gemora | ... | Gorilla on Pier (uncredited) | |
| John George | ... | Beast (uncredited) | |
| Rosemary Grimes | ... | Samoan Girl (uncredited) | |
| Robert P. Kerr | ... | Undetermined Role (uncredited) | |
| Bob Kortman | ... | Mr. Hogan (uncredited) | |
| Alan Ladd | ... | Beast (uncredited) (unconfirmed) | |
| Robert Milasch | ... | Undetermined Role (uncredited) | |
| Constantine Romanoff | ... | Beast (uncredited) | |
| Schlitze | ... | Furry Manimal (uncredited) | |
| Randolph Scott | ... | Beast (uncredited) (unconfirmed) | |
| Jack Walters | ... | Undetermined Role (uncredited) | |
| Duke York | ... | Beast (uncredited) | |
Directed by | |||
| Erle C. Kenton | |||
Writing credits | ||
| Waldemar Young | (screen play) and | |
| Philip Wylie | (screen play) | |
| H.G. Wells | (from a novel by) | |
Cinematography by | |||
| Karl Struss | (photographed by) | ||
Casting by | |||
| Fred A. Datig | (uncredited) | ||
Art Direction by | |||
| Hans Dreier | (uncredited) | ||
Makeup Department | |||
| Wally Westmore | .... | makeup artist (uncredited) | |
Sound Department | |||
| M.M. Poggi | .... | sound (uncredited) | |
| Loren L. Ryder | .... | re-recording engineer (uncredited) | |
Visual Effects by | |||
| Gordon Jennings | .... | special photographic effects (uncredited) | |
Stunts | |||
| Joe Bonomo | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Paul Cable | .... | assistant camera (uncredited) | |
| George T. Clemens | .... | camera operator (uncredited) | |
| Mack Elliott | .... | still photographer (uncredited) | |
| Otto Pierce | .... | camera operator (uncredited) | |
| Cliff Shirpser | .... | assistant camera (uncredited) | |
| Fleet Southcott | .... | assistant camera (uncredited) | |
Music Department | |||
| Arthur Johnston | .... | composer: stock music (uncredited) | |
| Sigmund Krumgold | .... | composer: stock music (uncredited) | |
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| The Island of Dr. Moreau | The Secret of Treasure Island | Terror Is a Man | King Kong | The League of Extraordinary Gentlemen |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
This chilling adaptation of the H.G.Well's novella, "The Island of Dr Moreau" remains unsurpassed, despite two later wretched attempts to improve upon it. Banned in England upon release! An exotic, but sinister atmosphere pervading Moreau's privately-owned island is enhanced by filming in Black & White, whose shadowy contrasts imbue the setting which a dark, suspenseful tone. Moreau amorally attempts to "play God" by creating "manimals" - hybrid humans and animals - via surgical vivasection and blood transfusion in his laboratory, The House of Pain. Charles Laughton has never been more campily devilish as when playing Moreau - an exquisite performance by a great actor.
Bela Lugosi plays a small, but effective part as "The Sayer of the Law": "Are we not men?" Kathleen Burke as the beautiful, erotic "Panther Woman" who develops an ill-fated romance with the protagonist, Edward Parker (played by Richard Arlen). Crisp direction by Erle Kenton, with nice make-up effects by Wally Westmore. The cutaway from the grisly ending when Moreau is about to be subjected to "surgery of the most fatal kind" in The House of Pain is most appreciated and is what I consider to be an exercise in directorial restraint and finesse. My imagination more than filled in the horrific details. Kudos to Mr. Kenton!