An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations.
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Adventure-seeker Ted Osborne has convinced his finacee Carole to finance his expedition to an uncharted South Pacific island supposedly populated with dinosaurs. Piloting their ship is ... See full summary »
Director:
Jack Bernhard
Stars:
Virginia Grey,
Phillip Reed,
Richard Denning
A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.
Director:
Jack Arnold
Stars:
Richard Carlson,
Julie Adams,
Richard Denning
Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
After investigating an S.O.S. signal on a near-by world, the crew of an industrial spacecraft must fight for survival when a highly aggressive bioform is born in the ship and begins hunting them one by one.
Director:
Ridley Scott
Stars:
Tom Skerritt,
Sigourney Weaver,
Veronica Cartwright
Charles Laughton claimed that he based his Dr. Moreau appearance on that of his dentist. See more »
Goofs
On the first ship, a man carries a large bucket of slop and accidentally spills some slop on Captain Davies. In the next shot, as Davies punches the man and knocks him down, the slop bucket is sitting on the deck behind him. See more »
Quotes
Captain Donahue:
That jungle don't look any too inviting.
Ruth Thomas:
We must go on. We've got to find him.
Captain Donahue:
All right. I'd just as soon leave it for somebody else to do. If there was anybody else here to do it.
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This chilling adaptation of the H.G.Well's novella, "The Island of Dr Moreau" remains unsurpassed, despite two later wretched attempts to improve upon it. Banned in England upon release! An exotic, but sinister atmosphere pervading Moreau's privately-owned island is enhanced by filming in Black & White, whose shadowy contrasts imbue the setting which a dark, suspenseful tone. Moreau amorally attempts to "play God" by creating "manimals" - hybrid humans and animals - via surgical vivasection and blood transfusion in his laboratory, The House of Pain. Charles Laughton has never been more campily devilish as when playing Moreau - an exquisite performance by a great actor.
Bela Lugosi plays a small, but effective part as "The Sayer of the Law": "Are we not men?" Kathleen Burke as the beautiful, erotic "Panther Woman" who develops an ill-fated romance with the protagonist, Edward Parker (played by Richard Arlen). Crisp direction by Erle Kenton, with nice make-up effects by Wally Westmore. The cutaway from the grisly ending when Moreau is about to be subjected to "surgery of the most fatal kind" in The House of Pain is most appreciated and is what I consider to be an exercise in directorial restraint and finesse. My imagination more than filled in the horrific details. Kudos to Mr. Kenton!
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This chilling adaptation of the H.G.Well's novella, "The Island of Dr Moreau" remains unsurpassed, despite two later wretched attempts to improve upon it. Banned in England upon release! An exotic, but sinister atmosphere pervading Moreau's privately-owned island is enhanced by filming in Black & White, whose shadowy contrasts imbue the setting which a dark, suspenseful tone. Moreau amorally attempts to "play God" by creating "manimals" - hybrid humans and animals - via surgical vivasection and blood transfusion in his laboratory, The House of Pain. Charles Laughton has never been more campily devilish as when playing Moreau - an exquisite performance by a great actor.
Bela Lugosi plays a small, but effective part as "The Sayer of the Law": "Are we not men?" Kathleen Burke as the beautiful, erotic "Panther Woman" who develops an ill-fated romance with the protagonist, Edward Parker (played by Richard Arlen). Crisp direction by Erle Kenton, with nice make-up effects by Wally Westmore. The cutaway from the grisly ending when Moreau is about to be subjected to "surgery of the most fatal kind" in The House of Pain is most appreciated and is what I consider to be an exercise in directorial restraint and finesse. My imagination more than filled in the horrific details. Kudos to Mr. Kenton!