An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations.
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A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.
Director:
Jack Arnold
Stars:
Richard Carlson,
Julie Adams,
Richard Denning
Adventure-seeker Ted Osborne has convinced his finacee Carole to finance his expedition to an uncharted South Pacific island supposedly populated with dinosaurs. Piloting their ship is ... See full summary »
Director:
Jack Bernhard
Stars:
Virginia Grey,
Phillip Reed,
Richard Denning
Colonel Reynolds and his group of government scientists continue their work on re-animating the dead for military use. His son Curt and his girlfriend Julie use Dad's security pass to sneak... See full summary »
Director:
Brian Yuzna
Stars:
Kent McCord,
James T. Callahan,
Sarah Douglas
As the beast-men attack Moreau's lab one of them brushes against a flaming torch and sets his furry head alight. See more »
Quotes
Ruth Thomas:
[hearing chanting]
What's that?
Dr. Moreau:
The natives, they have a curious ceremony. Mr. Parker has witnessed it.
Ruth Thomas:
Tell us about it, Edward.
Edward Parker:
Oh, it's... it's nothing.
Dr. Moreau:
They are restless tonight.
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Universal dominated the horror market of the 1930s, but every once in a while the other studios would produce a classic of their own. `Island of Lost Souls,' produced by Paramount, is one such film. It's tight, fast, and haunting.
The most striking thing about `Island' is its claustrophobic, nightmarish atmosphere. Some people criticize the hero, Edward Parker (Richard Arlen), as bland and colorless, but I think this works in the film's favor. Since he has no personality of his own, he can be more of an Everyman; he also has no strength to draw upon and is therefore powerless against the horrors around him. He sees the perverse monstrosities Moreau has created on his island, finds himself attracted to and then repulsed by the cat-woman Lota, and then struggles to free himself from Moreau's manipulative control. It's like those nightmares where you try to run away from something terrible but your feet won't move.
Charles Laughton steals the show as Dr. Moreau; his disarming, cherubic exterior somehow enhances his aura of menace. He may not look as blatantly evil as Bela Lugosi, but after a few minutes you just know there's something terribly wrong with this man. The irony is, the creatures Moreau creates are far more humane than he is. The creatures themselves live in a tight society, bound by the laws Moreau has given them; instead of dwelling on their physical awfulness, the film imparts them with a curious dignity and innocence. When the inevitable rebellion comes, I found myself cheering the creatures on, much like I felt my heart go out to the Frankenstein Monster or King Kong.
`Island' is one of those movies you need to watch on a humid summer night, when your clothes cling to your skin and every breath feels like it's coming through a wet towel. Feel the suspense and the terror seep into you, and then try to tell me the old horror movies weren't infinitely better than what passes for horror nowadays.
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Universal dominated the horror market of the 1930s, but every once in a while the other studios would produce a classic of their own. `Island of Lost Souls,' produced by Paramount, is one such film. It's tight, fast, and haunting.
The most striking thing about `Island' is its claustrophobic, nightmarish atmosphere. Some people criticize the hero, Edward Parker (Richard Arlen), as bland and colorless, but I think this works in the film's favor. Since he has no personality of his own, he can be more of an Everyman; he also has no strength to draw upon and is therefore powerless against the horrors around him. He sees the perverse monstrosities Moreau has created on his island, finds himself attracted to and then repulsed by the cat-woman Lota, and then struggles to free himself from Moreau's manipulative control. It's like those nightmares where you try to run away from something terrible but your feet won't move.
Charles Laughton steals the show as Dr. Moreau; his disarming, cherubic exterior somehow enhances his aura of menace. He may not look as blatantly evil as Bela Lugosi, but after a few minutes you just know there's something terribly wrong with this man. The irony is, the creatures Moreau creates are far more humane than he is. The creatures themselves live in a tight society, bound by the laws Moreau has given them; instead of dwelling on their physical awfulness, the film imparts them with a curious dignity and innocence. When the inevitable rebellion comes, I found myself cheering the creatures on, much like I felt my heart go out to the Frankenstein Monster or King Kong.
`Island' is one of those movies you need to watch on a humid summer night, when your clothes cling to your skin and every breath feels like it's coming through a wet towel. Feel the suspense and the terror seep into you, and then try to tell me the old horror movies weren't infinitely better than what passes for horror nowadays.