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The Invisible Man (1933)

Not Rated | | Horror, Sci-Fi | 13 November 1933 (USA)
A scientist finds a way of becoming invisible, but in doing so, he becomes murderously insane.

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(novel), (screenplay)
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Cast

Complete credited cast:
...
...
William Harrigan ...
...
...
Forrester Harvey ...
Holmes Herbert ...
E.E. Clive ...
Dudley Digges ...
Harry Stubbs ...
Donald Stuart ...
Merle Tottenham ...
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Storyline

Working in Dr. Cranley's laboratory, scientist Jack Griffin was always given the latitude to conduct some of his own experiments. His sudden departure, however, has Cranley's daughter Flora worried about him. Griffin has taken a room at the nearby Lion's Head Inn, hoping to reverse an experiment he conducted on himself that made him invisible. Unfortunately, the drug he used has also warped his mind, making him aggressive and dangerous. He's prepared to do whatever it takes to restore his appearance, and several will die in the process. Written by garykmcd / edited by statmanjeff

Plot Summary | Plot Synopsis

Taglines:

Catch me if you can! See more »

Genres:

Horror | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

13 November 1933 (USA)  »

Also Known As:

Der Unsichtbare  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

When screenwriter R.C. Sherriff came to Hollywood to write this film, he asked the staff at Universal for a copy of the H.G. Wells novel he was supposed to be adapting. They didn't have one; all they had were 14 "treatments" done by previous writers on the project, including one set in Czarist Russia and another set on Mars. Sherriff eventually found a copy of the novel in a secondhand bookstore, read it, thought it would make an excellent picture as it stood, and wrote a script that, unlike Universal's Dracula (1931) and Frankenstein (1931), was a closer adaptation of the book. See more »

Goofs

The ink spots on the police inspector's face change in between shots. See more »

Quotes

[first lines]
Man in Pub: Did you hear about Mrs. Mason's little Willy? Sent him to school and found him buried ten-foot deep in a snow drift.
Man in Pub # 2: How did they get him out?
Man in Pub: Brought the fire engine 'round, put the hose pipe in, pumped it backwards and sucked him out.
See more »

Crazy Credits

Claude Rains is the only actor in the film whose character is identified in the credits. We are not told which roles the other actors play, even though the cast is listed twice: at the beginning and at the end. Rains is billed as "The Invisible One" in the opening credits and as "The Invisible Man" in the closing credits. See more »

Connections

Featured in Sherlock Holmes and the Voice of Terror (1942) See more »

Soundtracks

La Rosita
(1923) (uncredited)
Music by Gustave Haenschen
(original version only)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Works Very Well
1 December 2004 | by (Ohio) – See all my reviews

This film version of the H.G. Wells science fiction classic works very well. It has a number of strengths, but it benefits most of all from James Whale's direction, creativity, and technical excellence. Both the flashier aspects of the movie (such as the "invisibility" effects) and also most of the basic elements are done with skill.

The story is for the most part based on the one main idea of "The Invisible Man" who combines his scientific genius with a generous supply of madness. The story is interesting enough in itself, and of course it provides all kinds of opportunities for visual tricks. Whale hits just the right balance in making good use of these opportunities without over-indulging himself.

The visual effects themselves are of excellent quality, and they are far better than all but the very best of the present-day computer imagery. While it is usually rather easy to spot which parts of a movie are computer-generated, Whale's effects are all but seamless, with the exception of a handful of brief moments. They are often quite impressive, without resorting to tired devices, such as explosions and the like, in order to impress those with shorter attention spans.

Claude Rains does quite well for having such limitations on what he could do. The rest of the cast is solid, if mostly unspectacular, letting the story do the work. Una O'Connor somewhat overdoes it with the screaming this time, but otherwise the characters are believable. The acting may seem slightly quaint to those who are accustomed to the pretentious styles of the present generation of performers, but it's certainly better than the grating, self-important performances in some of the recent movies of the same genre.

While the story does not have the thematic depth or the suggestive imagery of horror classics like "Frankenstein" or "Dracula", this adaptation gets everything it can out of the material, telling the story in an entertaining fashion and with technical skill.


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